Like every year I am visiting the Design Miami Basel show which takes place in hall 1, right next to the Art Basel venue. There were so many nice things to show you and I have tried my best to give you a glimpse of what I saw this year.
About Design Miami Basel 2017
Design Miami/ is the global forum for design. Each fair brings together the most influential collectors, gallerists, designers, curators, and critics from around the world in celebration of design culture and commerce. Occurring alongside the Art Basel fairs in Miami each December and Basel, Switzerland, each June, Design Miami/ has become the premier venue for collecting, exhibiting, discussing, and creating collectible design. For more information, please visit designmiami.com.
Scholten & Baijings
The Dutch design duo Scholten & Baijings, Japanese Architect Sano Fumihiko, and kimono designer Takahashi Hiroko have teamed up to celebrate four hundred years of Arita porcelain and will present a new Arita collection of twenty-seven pieces of tableware. To produce these dishes, the team applied abstract patterns of traditional motifs, studied Arita’s historical collections, sifted through museums and the archives of the Hataman Touen pottery and, in the process, rediscovered and brought back to life long-forgotten techniques.
Design at Large
Design Miami Basel 2017 has tapped the visionary mind of notable American fashion designer Thom Browne to bring to life the 2017 Design at Large installation. This is the first time a fashion designer will conceive the ambitious, large-scale presentation. Known for his conceptual installations, Browne will exhibit a vast grid of the most important desks from the last one hundred years, including statement pieces from masters such as Jean Prouvé and Ron Arad, beside the set installation from his Fall / Winter 2014 Men’s Runway Show. Alongside the centennial of significant desks in design history, the exhibition will be animated by a choreographed performance conceived specifically for Design at Large focusing on young design students and their creative interactions with the installation. This performance will mark the current shifts in traditional work styles, question the desk typology, and reconsider today’s adapted styles of working.
Political Responses in Design
Reflections of the politics of our times can often be found in design objects and architecture. Galerie Patrick Seguin presents a demountable 6 x 9–meter Jean Prouvé house from 1944, which was conceived for easy assemblage and to house large families in response to eastern France suffering great damages from the Second World War. The architecture collective BBPR, formed in 1932 by Gianluigi Banfi, Lodovico Barbiano di Belgiojoso, Enrico Peressutti, and Ernesto Nathan Rogers, initially adhered to Fascism, but soon became part of the resistance––Banfi and Di Belgiojoso were imprisoned at the Mathausen concentration camp where Banfi died, and Rogers, being of Jewish descent, was exiled from Italy to Switzerland. Their works are shown at Nilufar Gallery, Galleria Rossella Colombari, Casati Gallery, and Gate 5.
Gallery Program Design Miami Basel 2017
Antonella Villanova/ Florence
Caroline Van Hoek/ Brussels
Carpenters Workshop Gallery/ Paris, London & New York
Casati Gallery/ Chicago
Chamber/ New York
Cristina Grajales Gallery/ New York
Dansk Møbelkunst Gallery/ Copenhagen & Paris
Demisch Danant/ New York
Erastudio Apartment-Gallery/ Milan
Etage Projects/ Copenhagen
Friedman Benda/ New York
Galerie Alain Marcelpoil/ Paris
Galerie Eric Philippe/ Paris
Galerie Jacques Lacoste/ Paris
Galerie kreo/ Paris & London
Galerie Maria Wettergren/ Paris
Galerie Matthieu Richard/ Paris
Galerie Pascal Cuisinier/ Paris
Galerie Patrick Seguin/ Paris & London
Galerie Philippe Gravier/ Paris
Galerie VIVID/ Rotterdam
Galleria Rossella Colombari/ Milan
Galleri Feldt/ Copenhagen & Berlin
Gallery ALL/ Los Angeles & Beijing
Gallery FUMI/ London
Gate 5/ Monaco
Giustini Stagetti/ Galleria O. Roma/ Rome
Heritage Gallery/ Moscow
Hostler Burrows/ New York
Jousse Entreprise/ Paris
LAFFANOUR – Galerie Downtown/ Paris
Magen H Gallery/ New York
Marc Heiremans/ Brussels
Mercado Moderno/ Rio de Janeiro
Nilufar Gallery/ Milan
Pierre Marie Giraud/ Brussels
R & Company/ New York
Robert Zehil Gallery/ Monte Carlo
Salon 94 Design/ New York
Sarah Myerscough Gallery/ London
Siegelson/ New York
Thomas Fritsch – ARTRIUM/ Paris
Todd Merrill Studio
Victor Hunt Designart Dealer/ Brussels
Curios Design Miami Basel 2017
88 Gallery/ Hong Kong & Paris
Atelier Swarovski/ London
Label Dalbin/ Paris
OV Project/ Brussels
Oscar Humphries/ London
Priveekollektie Contemporary Art | Design/ Heusden aan de Maas
Scholten & Baijings/ Amsterdam
Sokyo Gallery/ Kyoto
Suzanne Syz/ Geneva
BILDRAUSCH – FILMFESTIVAL 2017 / BASEL
The seventh edition of the festival is once again devoted to the seventh art form. The “festival of festivals” brings discoveries to Basel, which have caused a stir thanks to their idiosyncratic film language and uncompromising stories.
An international competition that explores the boundaries of cinema and genres, transcends them, and ventures into unknown territories. A tribute to Terence Davies, this master of passion that glows under a stylised surface: very British indeed!
A retrospective of an icon of Portuguese cinema: Teresa Villaverde unites a subtle as well as wild female perspective with great art. Bildrausch Film Festival 2017 takes a bow before Tony Conrad and Bill Viola with two special programmes, invites you to experience the apocalypse in abridged form, or to unleash your inner dubbing voice at the Film Karaoke or your inner table football player in cinema scope format.
At the end of June, our cinema of powerful images will transfix audiences and filmmakers at the festival open-air venue on Theaterplatz and in the Stadtkino and kult.kino atelier cinemas.
Thirteen films from nine countries celebrate their Swiss premieres together with their makers,
and boldly defy narrative norms at Bilrausch Filmfestival 2017. The filmmakers Terence Davies from the United Kingdom, Lissette Orozco from Chile, Nicolas Wackerbarth from Germany, Andreas Lust from Germany, Teresa Villaverde from Portugal, Kogonada from the United States, Everardo Gonzales from Mexico, Romuald Karmakar from Germany, Julian Radlmaier from Germany, Kim Ki-Duk from South Korea, Bruno Ganz from Switzerland and Monika Willi from Austria will personally present their works in Basel. Three top-class exponents of the international film scene – Lav Diaz, Ilsa Hughan and Monika Willi – will decide who goes home with the Bildrausch Ring of Film Art.
Special Programme at the Bildrausch Filmfestival 2017:
Terence Davies – Past and Passion. Memories of post-war Liverpool in the 1950s and stunningly beautiful and passionate literary adaptations: Terence Davies reveals the emotions of his characters and confronts despair, loneliness and the hardships of life with grace. Bildrausch is honouring the great British director with a tribute – at times quiet and sad, at times sober and autobiographical, but always tender and masterful.
Special Programme at the Bildrausch Filmfestival 2017:
Teresa Villaverde – Fragile Punk. For Teresa Villaverde, the cinema is a place of provocation, irritation, even rebellion. Her visually powerful, unconventional and very feminine narrative, her daring mise-en- scène and the balancing act between observation and poetry, which she commands like no-one else, have been challenging us for more than 25 years. Bildrausch invites you to a tightrope walk with the Portuguese director, who is considered one of the most precious secrets of auteur cinema.
Special Programme at the Bildrausch Filmfestival 2017:
Tony Conrad was a giant, both in the literal and figurative sense. The avant-gardist not only wrote music history, but repeatedly turned current paradigms on their head as an experimental filmmaker and as a performance and video artist. Bildrausch is taking a look at the American crossover artist from different perspectives with a video lecture by Tabea Lurk, film screenings and a tribute concert by Lary7.
Special Programme at the Bildrausch Filmfestival 2017:
Bill Viola: the Road to St. Paul and Short Film Programme. For 12 years, Gerald Fox accompanied the American video artist Bill Viola and his wife and artistic partner in crime Kira Perron with his 16mm camera; 12 years, during which the couple struggled with the design and making of the commissioned works “Martyrs” and “Mary” which were to be permanently installed in St. Paul Cathedral. Bildrausch presents the Swiss premiere of the documentary Bill Viola: The Road to St. Paul by Gerald Fox as a Sunday matinée screening in collaboration with the art film festival LE FIFA (Festival International du Film sur l’Art) in Montreal, the worlds largest film festival in the field of art films. After the screening, where Gerald Fox will be present, you will have the opportunity to satisfy your longing for Bill Viola’s works by seeing The Passing (1991) and The Reflecting Pool (1977-1979). Introduction to the Short Film Programme: Jasmin Sumpf, researcher at Schaulager Basel.
Supporting Programme at the Bildrausch Filmfestival 2017
BAR AND GRILL AT STADTKINO BASEL
The Festival Centre at the Stadtkino Basel opens half an hour before the first screening and
remains open until 2am (on Friday and Saturday until 4am). The charming cinema bar, the
cosy Piazza in front of the cinema and the festival lounge invite you to linger and discuss what
you’ve seen. And we make sure your physical well-being is catered for too: Indian specialities,
small snacks and sandwiches are available all day at the bar, and in the evening the legendary sausages of Pippo will sizzle on the grill.
Bildrausch, together with Filmbulletin, is asking what cinema does to us. For once, this does
not mean: “How did you direct the film?”, but “Everyone is an expert”. Tereza Fischer talks to
a public figure about his or her impressions after the film screening of Big Big World by Reha
Have you always wanted to slip into the skin of your favourite film hero? Now you have the
perfect opportunity: after last year’s major success, Bildrausch and Theater Basel once again invite you to a karaoke night of the cinematic kind. For information and registration, please
contact filmkaraoke @ bildrausch-basel.ch
IT’S THE END OF THE WORLD… AS YOU CHOSE IT!
Flaming infernos, air disasters, devastating plagues – reduced to a few minutes. In the 1970s
and 1980s, impatient viewers purchased Viewers Digest versions of major cinema hits on Super-8. The Bildrausch Salon invites you to an on-demand programme of bizarre works
about the apocalypse.
BEAT THE ARTIST
The table football tournament on the Piazza in front of the Stadtkino invites journalists, jury members and filmmakers to challenge each others sporting abilities. Five festival visitors will have the opportunity to obtain a wild card to the tournament.
TAFETA SCOPE BASEL 2017
Niyi Olagunju b. 1981, Sagamu, Nigeria Lives & works in London
Adeniyi ‘Niyi’ Olagunju holds a National Diploma in General Art from Yaba College of Technology, Lagos and a BA Fine Arts (Hons) degree from St. Anne’s College, University of Oxford, UK with concentrations in Art History, Studio Art and Visual Theory. He was one of the privileged few to benefit from the Oxford University Scholarship between 2006 – 2009. He then went on to Texas Christian University (“TCU”) in Fort Worth, Texas, USA where he obtained a MA Fine Arts with specialisation in Sculpture.
Prior to his degree in Oxford, Niyi served with the British Army from 2002-2006, with service postings in Basra, Iraq & Northern Ireland. A practicing studio artist with exhibitions accross three continents, from 2011 to late 2015, he served as a Special Assistant to the Honourable Minister of State, FCT, Nigeria where he was tasked with the responsibility of formulating and implementing Social Development initiatives to strengthen the FCT’s Arts & Culture commitment.
TAFETA SCOPE BASEL 2017
I was at SCOPE art fair in Basel and saw Niyi’s artwork EKPIRI inside the TAFETA gallery booth and had to know more about it. I am so happy that I can share his story and work with you.
“the first time I saw ekpiri seeds was during the Ofala festival in Onitsha. Dancers and performers would use them as percussion instruments during the annual celebrations.
I’ve always loved the art of joining one thing to another or of creating something new from objects that had a different function or purpose. The vision for my latest series is to take something small—the ekpiri seed pods —and create a piece that’s over 8 feet tall. It’s an ongoing investigation into the connection between culture and visual art. How Igbo traditional musical instruments fit into my artistic conversation.”
Adeniyi Olagunju February, 2017
TAFETA SCOPE BASEL 2017
Adeniyi ‘Niyi’ Olagunju’s CV
1981 Sagamu, Nigeria
2011 MFA, Texas Christian University, Fort Worth, Texas, USA
2009 BFA Fine Art, University of Oxford
2000 National Diploma in General Art, Yaba College of Technology, Lagos Nigeria
2017 1:54 Contemporary Art Fair, New York NY 2017 Niyi Olagunju | Newish
2016 1:54 Contemporary Art Fair, Somerset House, London
2016 African Art: The Market Now, JP Morgan, Canary Wharf, London
2016 Enwonwu & Olagunju, TAFETA, London UK
2016 1:54 Contemporary Art Fair, Pioneer Works, Brooklyn New York NY
2011 MULTIPLE BARTER: The house has fallen, Gallery at TCU, Fort Worth TX
2011 The Hand That Feeds Me: TCU/MFA/500X, 500X Gallery, Dallas, Texas
2010 Africa Art Now: Contemporary Art from Africa and the African Diaspora, London
2010 Structures of Trade, FRED London
2010 “Transmission”, Fort Worth Contemporary Arts, Fort Worth, Texas, USA.
2009 Showdown, 414, Fort Worth Texas, USA
2009 Degree Show, Oxford, UK.
2008 20 Eventi, Poggio Moiano, Sabina, Italy
2008 Box Ladder, Modern Art Oxford, UK. 2007 My Culture, Morgan Stanley HQ, London,UK.
2007 The journey so far, Mary Ogilvie Gallery, Oxford, UK
1999 ADSA 99, Yusuf Grillo Gallery, Yaba College of Technology, Lagos, Nigeria
2011 Outstanding Student Achievement in Contemporary Sculpture Award, ISC, New Jersey 2007 Outstanding Achievement in photography, International Society Photographer
2006 Winner of the Oxford University Photography Societys annual Competition.
2004 Military Medal: OSM Northern Ireland Medal 2004
2003 Military Medal: ODM Iraq Medal
2003 Membership and Affiliation
Nigeria Leadership Initiative (Associate) Society of Nigerian Artists (S.N.A) Royal Engineer Association
TAFETA SCOPE BASEL 2017
FOR FURTHER INFORMATION
Ayo Adeyinka // TAFETA
47 – 50 Margaret Street London W1W 8SB
+44 7811 435 626
ayo @ tafeta.com
The Meeting of Light and Earthly Gravitations and other works
by Senam Okudzeto
I had the pleasure to see Senams latest works and want to share it with all of you. Most of the pieces are very very fragile and delicate. She is showing during Art Basel on SATURDAY between 12 and 5 pm at Projektraum Bollag at Gärtnerstrasse 50 4057 Basel. Otherwise she is showing by appointment only. In case you want to see her work, and can not come on Saturday, please email her to senam.info (@) gmail.com
Senam Okudzeto works with a wide range of media, including social sculpture, installation, painting, film, and text in her methodological “Afro-Dada” practice; an ongoing exploration of material culture which presents unexpected juxtapositions of objects and images in the context of West Africa’s modernist narratives and her fluid identity as an African who is of European of U.S. American descent.
The Meeting of Light and Earthly Gravitations
The Meeting of Light and Earthly Gravitations (2016–2017), is to be read as a complex and articulate system relating specifically to the artist’s experience of being in Rome for a year-long fellowship at the American Academy. This work is a part of her ongoing “Afro-Dada Glossolalia” project, and contemplates the question of what might be left of the soul of a being, and also of an object, as it travels through time, space and changing cultural contexts
The piece contains a number of references, ranging from the paintings of Caravaggio through to early Byzantine readings of crystal and the preponderance of “carciofi” in everyday Roman life. The video component depicts the annual Pentecost service at the Pantheon church in Rome, which ends with the congregation being showered in rose petals, which are scattered through the iconic oculus of the building. The petals metaphorically reference the “gifts of spirit”- speaking in tongues that Pentecost celebrates, but the ceremony’s origins predate Christianity to early pagan Rosalia festivals.
Okudzeto’s work attempts a powerful mapping system; derived from the idea that memory, time, space and distance could be described through objects as a series of encounters with events. This work takes its departure point from an earlier multi-media installation; Portes-Oranges, (2003-2007) and is a re-working of a previous installation of The Meeting of Light and Earthly Gravitations (2016), which was shown at the American Academy in Rome at the exhibition Cinque Mostre (2016).
The Meeting of Light and Earthly Gravitations
Senam Okudzeto (b. 1972, Chicago) lives and works between Basel, London and Accra. Okudzeto has a Bachelors degree in Fine Arts from the Slade School of Fine Art, University College London (1995), and a Masters degree in Painting from the Royal College of Art, London, (1997). She completed the Independent Study Program at the Whitney Museum of American Art, New York (2000) and is a PhD candidate in the program of Cultural Studies at Birkbeck College, University of London.
Her work was featured at Dada Afrika, Museum Rietberg (2016), the 14th Istanbul Biennale, Istanbul Modern (2015), the Menil Collection, Houston, (2012), the ICA, Boston (2011), the Stedlejik Museum Bureau, Amsterdam (2011), PS1 MoMA (2007), Africa Remix: Contemporary Art of a Continent, Centre Georges Pompidou, Musée National d’Art Moderne, Paris (2005); and Freestyle, The Studio Museum in Harlem, New York (2001).
Okudzeto has published numerous peer reviewed essays and texts in publications such as the Journal of Atlantic Studies (Routledge, 2012), Grey Room (Spring 2008) and Art Journal (2009). She was the first artist to serve on the editorial board of the CAA publication Art Journal and has taught academic and fine arts courses in Europe, the USA and West Africa, including the Kunsthistorisches Seminar, University of Basel, The International Summer Academy, Salzburg, NYU Study abroad campus, Accra, CCA Lagos and the Fachhochschule Nordwestschweiz, Basel. She is the founder and director of Art in Social Structures (AiSS), an artist-led NGO that supports education and heritage initiatives in architecture, visual culture and the arts in Ghana.
Okudzeto is the recipient of several fellowships and awards including, a research fellowship at the Radcliffe Institute for Advanced Study, Harvard University, Cambridge, MA (2003 – 2004) and the Edith Bloom/Jesse Howard Junior Fellowship at the American Academy in Rome (2015 – 2016).
The Meeting of Light and Earthly Gravitations (2016), and other works
Hand-blown lead crystal, leather, UV glue, iron sculptures, oranges, wood, electric cables, gaffer tape, metal post card rack, acrylic ink drawings on paper, metal ladder, foam, LED light bulbs and lamps, video; 3:48 mins, (NTSC) 4:3, (loop).
VOLTA 13 // AESOP & galleryLOG
Finally the best week of Basel has arrived. The Art Basel week with VOLTA, SCOPE, LISTE, DESIGN MIAMI BASEL and many other side shows. My first blog post about this years Art week is dedicated to VOLTA 13 and their partners AESOP and galleryLOG. Lets start with the AESOP installation by Irena Eden & Stjin Lernout.
German-Belgian artist duo Irena Eden & Stijn Lernout have created a site-specific installation at Aesop’s Spalenberg boutique in Basel, a diaphanous intervention that plays off the building’s architecture in bold, space-defining color and pattern. Their project compliments Eden and Lernout’s solo booth with Krupic Kersting Galerie | Kuk (Cologne) at VOLTA13, which further defines their research into social relationships and cultural cartography via geometric abstraction.
VOLTA 13 // AESOP & galleryLOG
For VOLTA13, GalleryLOG has selected Jane Benson (exhibiting with LMAKgallery, New York), Dennis Dawson (exhibiting with frosch&portmann, New York), Erika Harrsch (exhibiting with RoFa Projects, Potomac), and Rachel Owens (exhibiting with ZieherSmith, New York).
Wielding an interdisciplinary and research-based approach, Jane Benson (presented by LMAKgallery, New York) develops multilayered narratives that deftly transform and relate back to their experimental source material. Her recent series Song for Sebald collaged author W.G. Sebald’s novel The Rings of Saturn to create, as noted in a review by ARTnews, “music between the words.”
Dennis Dawson reuses and rearranges media unearthed from consumer catalogues and other magazines, particularly loose pages that bear some prior purpose. By using material already existing materials, Dawson contributes to a dialogue of shared experience and interconnection.
Butterflies are a recurring theme for Erika Harrsch (presented by RoFa Projects, Potomac), as their distinctive shapes and flock patterns become the basis for exploring migration, sexual identity, immigration reform, and physical boundaries.
Consumer culture and environmental concerns imbue the shattered glass and resin sculptures by Rachel Owens (presented by ZieherSmith, New York). As the centerpiece for her recent solo exhibition at the gallery, Owens cast from the Alley Pond Giant, a 130-foot-tall tulip poplar tree in Queens, New York, and considered the tallest and oldest living organism in the city.
I hope that you will find time to check out this years VOLTA show at Markthalle Basel. I will be there today and am sure that I will see lots of nice things for the blog. stay tunded for more. X
VOLTA 13 information
Monday, June 12
Guest of Honor: 10 – 12 pm
VIP + Press: 12 – 2 pm
Monday, June 12
2 – 7 pm
Tuesday – Saturday, June 13 – 17
10 am – 7 pm
Closed on Sunday
Markthalle, Viaduktstrasse 10, Basel
Service to and from Art Basel
Tuesday–Saturday, 12 – 6 pm
PUBLIC TRANSIT FROM SBB
Tram Line 1, 2, 8: one stop
300 m (walking distance)
FROM ART BASEL AND LISTE
Tram Line 2 (direction Binningen):
Exit at Markthalle
Exit Highway A2 at Basel City and head towards Bahnhof SBB.
Follow directions towards Parking Elisabethen or Elsässertor
I had the pleasure to work with lovely Carla. We wanted to share some food inspiration and how to decorate a lovely spring table. Spring has finally arrived and I could not be happier about that fact. Now let’s have a look at the MENU and the beautiful floral decorations.
We have decided on a simple but very delicious spring MENU including a starter, main course and dessert. All the dishes are vegetarian and made out of fresh ingredients.
FOOD INSPIRATION #1 TOAST WITH TOPPINGS
Simple toast with colorful toppings. Something super easy to prepare and arrange.
Sour cream with scrambled eggs and sesame and pumpkin seeds. Cover the toast with sour cream and prepare a scrambled egg and season with salt and pepper. Top off with the seeds.
For this one you need an avocado, egg and some pistachio. Boil water and lightly season with salt and add a splash of white vinegar. Then use a spoon and make a whirl in the pan and then crack the egg in. Use the spoon to spin some of the egg white around the yolk and reduce the heat and let simmer for about 2-3 minutes.
Cover the toast with avocado, place the poached egg and sprinkle some pistachio on top. Once you are about to serve the toast, cut open the poached egg.
Hummus, olive oil and sambal oelek a super easy one to prepare in 2 minutes in case you buy the hummus. In case you have some time I would recommend to make the hummus from scratch. All you need is chickpeas, sesame oil, salt, pepper and a blender. Spread the hummus over the toast, carve a line and fill with sambal oelek and olive oil.
For that toast you only need three things: a beefsteak tomato, an avocado and some basil. Spread some avocado on the toast and chop the tomato into thin slices and place it in the middle of the toast, lastly cut some basil and sprinkle on top.
And now, last but not least but for sure the simplest toast of all of them is the avocado toast. Spread some avocado on a toast and sprinkle some chia seeds on top.
There are many ways to display the starter and we wanna share two ways with you. One is to individually place each toast on a separate plate or to place four different toasts on one plate.
And these were our starters, super easy and delicious. And now I hope you are curious to see what we have prepared for the main dish.
FOOD INSPIRATION #2 PASTA WITH VEGETABLES
An al dente pasta topped with some colorful vegetables. All you need for this main course is any kind of pasta, onions, garlic, olive oil, yellow/red/orange bell peppers, cherry tomatoes, basil and chia seeds. Now lets see how to make the colorful vegetable sauce.
Take a frying pan and heat some oil and add the chopped garlic and onions. Slice the bell peppers and cut the cherry tomatoes in quarters and add to the onions and garlic. Fry for some minutes and chop some basil and that’s it.
There are two ways to serve the pasta. You can either place the pasta and sauce side by side in the plate. Or you can place the sauce on top of the pasta. Dont forget to top off with basil and sprinkle some chia seeds.
Now that you have had our delicious starters and a colorful pasta you should be ready for our last part of the menu: the dessert. And if you have not noticed already have a look at the beautiful flower arangements by Carla. She has a special talent for decorating and I have already uploaded another blogpost where I have worked with her, have a look here.
In case you are interested to work with here, please visit here site www.festum-artis.ch
Carla did such a wonderful job with the table decoration. She found all these colorful flowers and placed them on a light blue drapped table cloth. Matching candles and vintage plates and glasses round up the decoration. A special twist is given by the orange velvet band that ties together the silverware.
FOOD INSPIRATION #3 PAVLOVA
I got the recipe for our PAVLOVA via this site and absolutely love the easy 7 steps. Instead of berries and passionfruit we are using apricots, pistachio and blueberries.
Preheat oven to 200C. Line baking tray with baking paper. Draw 22cm diameter circle and lightly dust the marked circle with flour. Make sure mixing bowl and beater are completely grease-free.
Beat egg whites till soft peaks form. Add 6 tsp of the prepared sugar and beat till sugar dissolves. Add vinegar and half of remaining sugar, and continue beating till mixture becomes really stiff and glossy.
Mix cornflour with remaining sugar, and gently fold this into mixture.
Using a clean spoon, gently pile mixture onto circle on baking paper, and use a clean butter knife to “pull up” sides and make peaks on top.
Pop tray into middle rack of oven. Reduce heat to 125C and bake for 90 minutes. Turn off oven.
Prop oven door open with wooden spoon and allow pavlova to cool completely. This usually takes 3 hours. Once cool, carefully remove baking paper, and transfer to serving platter.
Just before serving, spread whipped cream on pavlova, arrange the blueberries and apricots on the cream and drizzle with pistachio.
Awww, I had so much fun putting together this blog post. It was a huge pleasure to work with Carla and hope that you all like the menu and decoration. Please leave a comment below and let us know what you think.
Life is constantly changing and so are also some of the products we use. I have recently completely changed my daily skin care and wanna share all these changes with you. I am now using AESOP products. Not only the design of the products but furthermore the benefits of each product has made me super happy. Now lets see what I have found out about all the products I am currently using and see what I personally think. Lets start with my SKIN CARE UPDATE:
Parsley Seed Facial Cleansing Oil
According to the website this is a mild, makeup-removing cleanser suited to dry, combination or sensitive skin. It is a gentle, preservative-free cleansing oil that will rinse skin of even the heaviest makeup in addition to imparting bountiful anti-oxidant benefits. The skin is left thoroughly purified, softened and refreshed.
How to apply the product?
Pour a couple of drops into your clean, damp hands and mix it with several drops of water to form a milky emulsion. Massage over face and neck and then rinse.
Persea Gratissima (Avocado) Oil, Prunus Amygdalus Dulcis (Sweet Almond) Oil, Macadamia Ternifolia Seed Oil, Oryza Sativa (Rice) Bran Oil, C12-13 Pareth-3, Tocopherol, Glycine Soja (Soybean) Oil, Bisabolol, Lavandula Angustifolia (Lavender) Oil, Ormenis Multicaulis Oil, Chamomilla Recutita (Matricaria) Flower Oil, Daucus Carota Sativa (Carrot) Root Extract, Carum Petroselinum (Parsley) Seed Oil, Beta-Carotene, Linalool. Contains nut oils.
The Parsley Seed Facial Cleansing Oil has a nutty aroma and lets your skin feel supple, softened and hydrated. I use it every night and it removes all of my makeup. I am not wearing heavy leayers of makeup. Usually I wear a tinted moisturizer, bronzing powder, mascara and lipstick. The only negative thing I can say about this cleanser is that it stains the sink after every use. Somehow it leaves a very weird and oily residue. So after every use I have to wipe the sink. As I have my cleansing tools right below the sink this is an easy thing to do. And in the end its totally worth it, as I really love the way the Parsley Seed Facial Oil leaves my skin.
B & Tea Balancing Toner
This is a gentle, everyday toner suited to all skin types, including sensitive. Yay, as my skin is quiet sensitive I was happy to read that. It is a gentle skin-balancing blend, named for its inclusion of Provitamin B5 (a form of Panthenol) and Green Tea extract. The toner offers light hydration and anti-oxidant protection. It leaves the pores refined while the skin is cleansed of any remaining grime and gently prepared for subsequent hydration.
How to apply the product?
Use half a teaspoon of B & Tea Balancing Toner onto a cotton pad or directly into your hands, and pat onto skin. In order to make our world a better place I have stopped using cotton pads on a daily base. Thats why I love to use the toner directly in my hands.
Aloe Barbadensis Leaf Juice, Water (Aqua), Polysorbate 80, Hamamelis Virginiana (Witch Hazel) Water, Sodium Gluconate, Sodium Lactate, Benzyl Alcohol, Phenoxyethanol, Sorbitol, Panthenol, Cananga Odorata Flower Oil, Disodium EDTA, Sodium Citrate, Benzoic Acid, Camellia Sinensis Leaf Extract, Benzalkonium Chloride, Dehydroacetic Acid, Ethylhexylglycerin, Linalool, Benzyl Benzoate, Geraniol, Farnesol, Benzyl Salicylate, Eugenol, d-Limonene.
The B& Tea Balancing Toner has a floral and herbaceous aroma. The texture is watery and it leaves the skin feel balanced and freshened. I am not sure if I will be repurchasing that particular toner. I might switch to an alcohol free Aesop toner because I have the feeling that this would be more suiting for me. Nevertheless I like to use this toner and am already half way through. So anyway it will be the product that I have to repurchase first.
The Damascan Rose Facial Treatment is a precious and potent nourishing treatment for extremely dry or distressed skin. It is an exquisite treat not only for the skin but also for the senses, due to its wonderful rosy scent. This concentrated botanical oil is ideal for skin in need of intense, soothing hydration. It consists of ten precious and potent plant extracts who deliver Vitamins E and A.
How to apply the product?
Massage three to five drops onto cleansed and toned skin from forehead to neck. What I love to do is to blend the oil with my hydrating cream. Some days I also use it by itself when I am in need of some extra hydration.
Camellia Japonica Seed Oil, Oenothera Biennis (Evening Primrose) Oil, Prunus Amygdalus Dulcis (Sweet Almond) Oil, Rosa Canina Fruit Oil, Oryza Sativa (Rice) Bran Oil, Glycine Soja (Soybean) Oil, Tocopherol, Daucus Carota Sativa (Carrot) Seed Oil, Rosa Damascena Flower Oil, Citrus Aurantium Dulcis (Orange) Flower Oil, Viola Odorata Oil, Daucus Carota Sativa (Carrot) Root Extract, Beta-Carotene, Citronellol, Geraniol, Linalool, d-Limonene, Farnesol, Eugenol. Contains nut oils.
The Damascan Rose Facial Treatment has a floral, earthy and slightly exotic aroma. The product texture is rich and oily. It leaves the skin feel hydrated, replenished and nourished. As I have already mentioned I love using this oily either by itself or mixed with my moisturizer. What I love about it is that the oil is being absorbed super fast. So on days where my skin feels extra dry I can even use the treatment during the day. Be sure to wear a high SPF, not only when wearing oily treatments. In spring and summer I am using a high SPF (30 or 50) and in fall and winter the SPF 25 that I have in my tinted moisturizer is enough for me.
Camellia Nut Facial Hydrating Cream
The Camelia Nut Facial Hydrating Cream is a nourishing daily moisturizer for dry or sensitive skin. According to the AESOP website: the complex blend of nut and plant extracts in this extensively researched formulation absorbs swiftly. Providing anti-oxidant fortification and richly nourishing hydration without a weighty after-feel. Superbly emollient cold-pressed Macadamia Nut oil softens the skin, while Camellia Nut oil and Chamomile oil pacify irritation and patchiness.
How to apply the product?
Massage into cleansed and toned skin. I personally dont like to massage creams. I rather pad and press the creams on to my skin. Massaging makes my skin red and since I am already dealing with a more pinkish complexion I want to make sure to avoid looking even more red.
Water (Aqua), Glycerin, Stearic Acid, Cetearyl Alcohol, Aloe Barbadensis Leaf Juice, Camellia Japonica Seed Oil, Cocos Nucifera (Coconut) Oil, Macadamia Ternifolia Seed Oil, Rosa Canina Fruit Oil, Ceteareth-20, Glyceryl Stearate, Glycine Soja (Soybean) Oil, Tocopherol, Fusanus Spicatus Wood Oil, Theobroma Cacao (Cocoa) Seed Butter, Triticum Vulgare (Wheat) Germ Oil, Phenoxyethanol, Citrus Grandis (Grapefruit) Seed Extract, Lavandula Angustifolia (Lavender) Oil, Rosmarinus Officinalis (Rosemary) Leaf Oil, Ormenis Multicaulis Oil, Disodium EDTA, Sodium Citrate, Daucus Carota Sativa (Carrot) Root Extract, Beta-Carotene, Farnesol, Linalool, d-Limonene. Contains nut oils.
The Camelia Nut Facial Hydrating Cream has a floral, nutty and woody aroma. It is a medium-weight cream that leaves the skin hydrated and matte. I am not sure whether I will be continuing to use this cream. I dont like the fact that it contains alcohol and want to check if they have one without alcohol that is good for dry to sensitive skin. Nevertheless I am using this cream day and night, and sometimes with a couple of drops of the Damascan Rose Oil. I am already more than half way thru. So after the toner this will be the next product to repurchase.
Purifying Facial Exfoliant Paste
So what I have found via the website is that it is a cream-based exfoliating formula suited to most skin types. Fine river-bed Quartz contained in a cream base performs exceptional exfoliation, sloughing away tired surface skin. Lactic Acid assists a mild, chemical exfoliation resulting in thoroughly purified, revived skin.
How to apply the product?
Dispense a small amount into the palm of your hand and work the formula over the face and neck, including the lips. Avoid the immediate eye area. Allow the Quartz and Lactic Acid to gently exfoliate by employing minimal pressure. Rinse well with luke warm water and pat dry.
Water (Aqua), Quartz, Glyceryl Stearate SE, Cetearyl Alcohol, Rosa Canina Fruit Oil, Ceteareth-20, Glycerin, Oenothera Biennis (Evening Primrose) Oil, Sodium Cocoyl Isethionate, Lactic Acid, Coconut Alcohol, Ormenis Multicaulis Oil, Phenoxyethanol, Sodium Hydroxide, Lavandula Angustifolia (Lavender) Oil, Rosmarinus Officinalis (Rosemary) Leaf Oil, Disodium EDTA, Methylchloroisothiazolinone, Methylisothiazolinone, Linalool, d-Limonene.
The Purifying Facial Exfoliant Paste has an active, earthy lavender aroma. The skin feels polished, exfoliated and softened. I absolutely love this exfoliating paste. Eventhough I have very sensitive skin with couperose parts on my cheeks I enjoy using it. Of course I avoid the cheek areas and focus on my chin, forhead and nose. The cool thing is that this product is going to last for a while as you should only apply it once a week and need very little product.
Parsley Seed Cleansing Masque
This is a wonderful product, I seriously love it. Its a clay-based masque to deeply cleanse and refresh your skin and it is suitable to all skin types. The blend of premium clays and botanicals lifts deep-seated impurities and refreshes the skin. Parsley Seed extracts deliver potent anti-oxidants while other botanical elements cleanse and revive skin.
How to apply the product?
Use after cleansing and apply a thin layer over skin, excluding eye and lip areas. Leave to dry for about fifteen minutes, or longer if time permits, and then rinse thoroughly with cool water and pat dry.
Water (Aqua), Kaolin, Aloe Barbadensis Leaf Juice, Bentonite, Alcohol Denat., Glycerin, Lavandula Angustifolia (Lavender) Oil, Oenothera Biennis (Evening Primrose) Oil, Rosa Canina Fruit Oil, Phenoxyethanol, Ormenis Multicaulis Oil, Carum Petroselinum (Parsley) Seed Oil, Methylchloroisothiazolinone, Methylisothiazolinone, Linalool.
The Parsley Seed Cleansing Masque has a lavendery, herbaceous aroma. The texture is fine, and contains smooth Clay Oils. It leaves the skin deeply cleansed, softened and refreshed.
Out of all the AESOP products I really like this one the best. I can really see a difference in what it does to my skin. At the very moment I am dealing with impurities and regularely using this masque helps me a lot. The only thing that worries me a bit is that almost all their procucts contain alcohol. I was told that when you have sensitive skin you should avoid using products that contain alcohol. I would be curious to hear your opinion about alcohol content in skin care. Please comment below. Also I would love to know which is your favorite AESOP product. Maybe there is something you can recommend that I have not tried yet.
Calvin Klein at BASELWORLD 2017
Calvin Klein gorgeous
Sleek. Symmetrical. Calvin Klein gorgeous. Minimal and chic, the Calvin Klein gorgeous jewelry set demonstrates the luminous power of four simple lines perfectly aligned. The combination of four complementary hues – stainless steel, black, pink and gold PVD – exudes appeal and creates a natural flow of refinement and balance. This stunning set consists of a necklace, set of four bangles and rings that complete any glamorous look.
Calvin Klein hook
Open. Alluring. Calvin Klein hook. Simple and chic, this timeless offering has expanded to include three new styles. Each ring and bangle is available in either solid or Swarovski crystal-encrusted polished stainless steel or pink gold PVD to accent any modern look.
HUBLOT at BASELWORLD 2017
THE BIG BANG UNICO SAPPHIRE
While coloured synthetic sapphires have been in existence since 1902, when they were invented by the French chemist Auguste Victor Louis Verneuil, melting sapphire is a complex and unpredictable process. Because its crystallisation process is unstable, it is difficult to obtain similarly coloured sapphires, even if they are produced simultaneously. Furthermore, bubbles and cracks can appear in the material, making the end result unsuitable for producing Big Bang cases.
But the main challenge is in the size. Thus far, no coloured sapphires exceeding 2 kg have been produced. However, Hublot has now gone beyond this threshold. By pushing the limits of engineering and chemistry, it has developed a sophisticated and costly process that has resulted in the successful production of a large, transparent sapphire of perfectly uniform colour.
Hublot heats aluminium oxide (Al2O3) — the raw material for sapphire — with a transition metal, chromium (Cr), at a temperature of between 2000 and 2050 degrees Celsius. The result is a coloured sapphire that retains all the original properties of a material which is ultra-scratch resistant, completely transparent and among the hardest in existence. The innovation extends to the colour — the first blue sapphire in the history of watchmaking.
THE CLASSIC FUSION ITALIA INDEPENDENT COLLECTION
“We are very proud to be able to continue this partnership with Italia Independent and Lapo Elkann, whose creativity and character never cease to surprise us. This new project was an extraordinary experience for us: putting Hublot’s capacity for technical innovation and willingness to experiment to the service of the House of Rubinacci—a monument to Italian elegance—and the incomparable style of Lapo Elkann. The Classic Fusion Italia Independent truly represents the fusion of three forms of expertise.” Ricardo Guadalupe, CEO Hublot
BIG BANG BRODERIE SUGAR SKULL FLUO
The Big Bang Broderie Sugar Skull Fluo is once again revisiting traditional materials in an original, modern way. This time with Bischoff embroidery from St Gallen. This ancestral craft has travelled across the globe and is entrenched within the world of fashion.
With its cutting-edge innovation, performance and creativity, internationally renowned Swiss brand Bischoff is a key industry figure. In its workshops in St Gallen, near Zurich, Bischoff’s master artisans created specially commissioned fluorescent embroidery on silk organza. Delicately embroidered with floral arabesque motifs and subtly revealing the ‘skull’ design that will adorn the dial.
TAGHEUER AT BASELWORLD 2017
G HEUER CARRERA HEUER-01 43 MM
Unveiled in 2015, the TAG Heuer Carrera Heuer-01 opened the doors to a new market. A 45 mm Skeleton Manufacture Chronograph with a contemporary sports design, and coming in at under 5000 CHF, it redefined the notion of value for money.
This year, the famous proprietary chronograph is being unveiled with a slightly smaller diameter of 43 mm, in a choice of three versions: intense black, deep navy blue and an elegant cognac brown.
After more than five years of continuous improvement and optimisation, it now offers a very high level of quality, while its production costs have been carefully managed to make it one of the very few 100% Manufacture Chronographs available for less than 5000 CHF.
TAG HEUER CARRERA LADY 2017
The Carrera collection is TAG Heuer’s flagship collection. Launched by Jack Heuer in 1964 as a chronograph, it is now available in a range of diameters with many different functions for both men and women.
This year, thanks to a new development, the case features a different construction. It is no longer punched from a block in the traditional TAG Heuer way – it is now modular and formed of 9 different pieces (case back, case middle, bezel, lugs and strap end-pieces), which paves the way for myriad possible combinations of almost endless materials, colours, treatments and finishes.
Link. A design that dates back to 1987. Its defining feature is the immediately recognisable bracelet, boasting the signature S-shaped links. It is both an iconic design and a standard bearer in terms of ergonomics and wearer comfort. Each link is rounded on the top, bottom and sides for an exceptionally smooth feel on the wrist.
In steel, with an elegant diameter of 32 mm, the new Link Lady now features a bracelet which is fully integrated into the case, whose horns have been removed. The bracelet still has a curved profile, and the finishes are even more sophisticated: the entire contour of the S radiates a highly polished shine, while the upper surface of each link is fully brushed.
I had such a great time at BASEL WORLD 2017 and wanna thank everyone who invited me and took their time to show me their newest collection. See you next year, so long! X
The term “hypnosis” comes from the ancient Greek word ὕπνος hypnos, “sleep”, and the suffix -ωσις -osis, or from ὑπνόω hypnoō, “put to sleep” (stem of aorist hypnōs-) and the suffix -is. Hypnosis is a state of human consciousness involving focused attention and reduced peripheral awareness and an enhanced capacity to respond to suggestion. The term may also refer to an art, skill, or act of inducing hypnosis.
Theories explaining what occurs during hypnosis fall into two groups. Altered state theories see hypnosis as an altered state of mind or trance, marked by a level of awareness different from the ordinary conscious state. In contrast, nonstate theories see hypnosis as a form of imaginative role enactment. During hypnosis, a person is said to have heightened focus and concentration. The person can concentrate intensely on a specific thought or memory, while blocking out sources of distraction. Hypnotised subjects are said to show an increased response to suggestions.
Hypnosis is usually induced by a procedure known as a hypnotic induction involving a series of preliminary instructions and suggestion. The use of hypnotism for therapeutic purposes is referred to as “hypnotherapy”, while its use as a form of entertainment for an audience is known as “stage hypnosis”. Stage hypnosis is often performed by mentalists practicing the art form of mentalism.
That’s what I have found via wikipedia.org https://en.wikipedia.org/wiki/
I guess we all have heard about hypnosis and have seen it in films or like described in the last paragraph on stage to entertain audience. A lot of people see it as something dark or something that is being used to manipulate people and that is why I want to share my very personal experience with hypnosis with all of you.
There are many reasons to get involved with hypnosis, be it to loose weight, get rid of stage freight or other phobias or the general need to relax ones body and mind. In my case I was very interested in the last mentioned one. A deep form of relaxation is exactly what I needed and got from my hypnosis experience.
I went in and had very little expectations about what is going to happen and only had the sketchy visuals from the movies or cartoons where people stare on to black and white rotating patterns that make them dizzy and fall asleep. So I had no idea what to expect and I think that was a very good thing.
So when I had my appointment I first had a very nice chat with Nadia and we were talking about my over all well being, what is present in my life and what I want from my hypnosis session. As I have already told you my goal was to relax my body and mind deeply. We were ready to start and that meant that I had to lay down on her bed and was covered with blankets. In the state of hypnosis the body cools down and therefor it is very important to keep yourself warm and comfortable.
She started to play relaxing music and took me on a visual journey that left all my thoughts and worries behind and that let me focus on only what she was saying. That was a life changing experience and somehow it felt more like a form of meditation. Nadia’s soothing voice has brought me to a deep state of relaxation. It was unbelievable that I was on one side very aware of what was happening, meaning I was still listening to her voice and what she was saying but on the other hand I was far far away almost floating on clouds and being close to dreaming and dozing off.
The wonderful thing for me was that I lost the feeling of time, I had no idea for how long I was laying there, if it were 20 minutes or one and a half hours. This felt so good. The same way you are being led into hypnosis you are also brought out of it, very conscious. It feels good to still lay down with open eyes for a couple of minutes after being released from the state of hypnosis.
I have felt so light and wonderful after my hypnosis session. What a wonderful experience with such a huge benefit for my body and mind. I really want to go back to that place where Nadia took me, that place where I was as light as a feather, very relaxed and calm. When ever I have a stressful day I try to take myself back to that place. Something that is not very easy to do and does not always work.
Now that I have dropped the word meditation I also want to share with you the definition I have found via wikipedia. https://en.wikipedia.org/wiki/
Meditation is a practice where an individual trains the mind or induces a mode of consciousness, either to realize some benefit or for the mind to simply acknowledge its content without becoming identified with that content, or as an end in itself.
The term meditation refers to a broad variety of practices that includes techniques designed to promote relaxation, build internal energy or life force (qi, ki, prana, etc.) and develop compassion, love, patience, generosity, and forgiveness. A particularly ambitious form of meditation aims at effortlessly sustained single-pointed concentration meant to enable its practitioner to enjoy an indestructible sense of well-being while engaging in any life activity.
The word meditation carries different meanings in different contexts. Meditation has been practiced since antiquity as a component of numerous religious traditions and beliefs. Meditation often involves an internal effort to self-regulate the mind in some way. Meditation is often used to clear the mind and ease many health concerns, such as high blood pressure, depression, and anxiety. It may be done sitting, or in an active way—for instance, Buddhist monks involve awareness in their day-to-day activities as a form of mind-training. Prayer beads or other ritual objects are commonly used during meditation in order to keep track of or remind the practitioner about some aspect of that training.
Meditation may involve generating an emotional state for the purpose of analyzing that state—such as anger, hatred, etc.—or cultivating a particular mental response to various phenomena, such as compassion. The term “meditation” can refer to the state itself, as well as to practices or techniques employed to cultivate the state.
Meditation may also involve repeating a mantra and closing the eyes. The mantra is chosen based on its suitability to the individual meditator. Meditation has a calming effect and directs awareness inward until pure awareness is achieved, described as “being awake inside without being aware of anything except awareness itself.” In brief, there are dozens of specific styles of meditation practice, and many different types of activity commonly referred to as meditative practices.
On that topic I want to share Nadia’s newest thing: the new moon meditation evenings for women. At TRANSFORMATON COACHING at Rebgasse 28 in 4058 Basel.
You can read more about what Nadia is doing on her web pages:
In case you have any questions or you feel the need to experience hypnosis for yourself give her a call: +41 79 507 02 92 or drop her a line via info@transformation-coaching.
Here are the dates for the new moon meditation evenings for women:
contribution towards expenses are a minimum of 10 CHF.
I hope my blog post was helpful and informative. I will attend the new moon meditation for women evenings and it would be nice to see some of you there too. I wish you all a very calm and relaxed spring day. X
DermatoCLEAN TONIC and EYE MAKEUP REMOVER
I got asked to check out some Eucerin products and chose to explore the benefits and purposes of the DermatoCLEAN tonic and eye makeup remover. I have only heard great things about the Eucerin but have so far never used any of their products. Now lets see what I have found out about the tonic and eye makeup remover.
It claims to gently remove all cleanser traces and lets the skin breathe more easily. Furthermore it has been tested on sensitive skin. This is a big PLUS. So many people have sensitive skin, including me. And therefore it is always great to hear that a product has been tested for exactly this kind of skin type.
The main reason to use a tonic after cleansing ones face is to prepare the skin better for regeneration and the following serums and or creams. The skin feels noticeably clean and soothed and clearly delicate and supple. I have loved their tonic and was surprised to read that it is for all skin types, eventhough it was tested for sensitive skin. Another great thing is that the tonic contains no alcohol. The biggest results and benefits of using a tonic are to let the skin breathe. By daily using a tonic before moisturizing the oxygen uptake improves significantly. And therefore the skin moisture improves too.
In case you have never used a tonic before, here is how you would use it.
Apply to a cotton pad and wipe gently over the face, neck and décolleté to prepare the skin optimally for the absorption of the next active ingredients. In my case I stopped using cotton pads and am using the JEMAKO pads instead. Like this I produce less trash and do something for a better place to live on. I can highly recommend them to you.
I have read that Eucerin has performed scientific tests and conducted controlled application studies with participants between the ages of 18 and 75.
Now here is a list of the ingredients. I love the fact that they are listed on their website and also very nicely described here >>
- Dipropylene Glycol
- Glyceryl Glucoside
- Sodium Hyaluronate
- Decyl Glucoside
- Sodium Citrate
- Citric Acid
- Cocamidopropyl Betaine
- Trisodium EDTA
- Sodium Chloride
It claims to remove gently and thoroughly ones eye make-up and water-resistant mascara. Especially with summer ahead, a lot of women are using waterproof mascaras and are in need for a good and gentle remover. A non-greasy, two-phase formula comprising: an upper layer for removing water-proof make-up and a lower layer for removing water-soluble make-up. By shaking it the two phases are getting activated and are ready to be used.
Eyes are the windows to our souls. I love that saying and totally agree. We can see if someone is tired or sad by looking into their eyes. Also one can tell if someone is taking good care of their skin. The eye area has super sensitive skin and it is very important to be very gentle. Like the tonic also the eye makeup remover has been tested on sensitive skin. And aswell it claims to be for all skin types. I was very happy to read that they have conducted controlled application studies with participants aged 18 to 75 who had partially sensitive skin.
I guess its clear to everyone how to use eyemakeup remover, but one never knows. So here we go: Shake well to mix the two phases. Apply to a cotton pad. Gently wipe from the inside outwards over the eye area until no remover is left on the cotton pad.
- Isopropyl Palmitate
- Glyceryl Glucoside
- Sodium Hyaluronate
- Sodium Chloride
- Trisodium EDTA
- Behenyl Alcohol
- CI 61565
I hope you have found this blogpost interesting. In case you have a favorite product by Eucerin, please share it with all of us in the comments. Have a lovely day. X
This post has been created in collaboration with the MIK Agency. The SEO agency MIK Agency is specialized in digital marketing, campaigns and commercial publishing.
Last summer I was in Barcelona and was on the look out for some cool spanish fashion designers. I first walked in to Ana Tichy’s shop and she suggested to also visit her friend’s label and gave me the direction. When I stood in front of the shop and read the label: COLMILLO DE MORSA, I knew that I already met the people behind this brand at the Capsule Show in Paris in 2013. What a small world, no? >> see more here <<
They showed the most beautiful spring/summer collection and I fell in love with the orange/salmon pieces. Everything is designed and handmade in Barcelona. I asked them some questions about the label and here is what they have to say:
Question: Colmillo de Morsa, how did you end up with this awesome and special name?
To find the name of the brand was quite spontaneous. We were reading a history book about ancient civilizations and we saw images of ornaments made of ivory of walrus tusks. We talked about how special it is that an ugly animal could have something so beautiful and we decided that Colmillo de Morsa (meaning Walrus Tusk) should be our name. Colmillo de Morsa, hides our first premise: the beauty has endless forms, as many as eyes that look at it.
Question: When and how was Colmillo de Morsa founded?
Colmillo de Morsa was born in Barcelona in late 2009. We come from fashion design and architecture and found an affinity between us and in our concept design. And we share the philosophy and way of work.
Question: If you have to describe your current fall/winter collection in 3 words, what would the 3 words be?
Probably it would be NATURE, QUALITY and SENSITIVITY.
Question: Where can we find your collection and where can people from outside spain shop your collection?