Tag Archives: artbaselweek
ADAM and EVE
yesterday at the preview day at VOLTA12 I met Anca and Cristina from Anca Poterasu gallery and I fell in love with Zoltan Bela’s work ADAM and EVE. I am fascinated by the faces that he cut out of an ordinary object and how young and old versus new and used is shown in this work. I really like the fact that they can not be seperated. the pieces are only sold together, Adam only comes with Eve and vice versa.
Zoltán Béla (b. 1977) is a widely-known contemporary artist, especially through his paintings. He graduated from the University of Arts and Design in Cluj, and he presently lives and works in Bucharest. Zoltán Béla is mid-through his career in painting, installations and object-making, which are imbued in historical and metaphysical references inspired by his personal biography and from the recent historical timeline of Eastern Europe.
Zoltán’s most recent work returns to his first love Antoni Tapies, in his latest experiments in object-making, with a focus on the materiality of details in painting, where the figurative taunts the abstract without ever fully giving in to it.
Selected Solo Shows: L’Espace Ventriloque (2016), Anca Poterașu Gallery (RO); Participare în programul “Arta la fereastră” (2016), as guest artist at Simeza Gallery (RO); Installation (2014 – 2015), Anexa The National Museum of Contemporary Art (RO); Traces (2012), Anca Poterașu Gallery (RO) ; In meditation: Feeling the Silence (2011), Anca Poterașu Gallery (RO), A certain time, a certain place, a certain state (2010), Little Yellow Studio (RO); Self Reflecting 30 (2009), Point Contemporary Gallery; Transition Icons(2009), Carini & Donatini Gallery (IT).
Selected group shows: Extension.RO (2016), Triumph Gallery, Moscow (RU); Vom Allmächtigen zum Leibhaftigen (2016), curator: Tom Beege, Kunsthaus Apolda Avantgarde, Apolda/Thuringia (DE); BB6 (Bienala Bucharest 6), 2014, (RO); Curators Network (2012), Muzeul Bruckenthal (RO); The New Figurative (2011), Victoria Art Centre (RO); Coloring the Grey (2011), The 4th Moscow Biennale of Contemporary Art (RU); I Am a Romanian: The Bucharest – Tel Aviv Route (2011), The Romanian Cultural Institute in Tel Aviv (IL); Out Of Sacred (2010), Arezz (IT); Police the Police(2010), The fourth biennial for young artists (RO); The Berlin Wall (2010), Promenade Gallery, Vlore (AL).
TOM PRICE – synthesis
I visited Design Miami Basel and I absolutely fell in love with the pieces by TOM PRICE at the Victor Hunt Designart Dealers booth. I took so many photos of his work and I decided to share as many as possible with you. in fact I have to say that I actually like (my) photos a lot better than the actual poles. I dont like the shape of the work but I am very much fascinated by the inside and all the amazing encounters of different colors and materials.
synthesis is the study of a dialogue between two contrasting materials – resin and tar – and their negotiation for space and identity when forced to become a single unified entity. petal-like cracks and fissures formed through a careful manipulation of the catalysing process of the resin cluster and interact with amorphous invasive bodies of tar, which loom – apparently suspended in space. the tar initially appears densely black, almost light-absorbent, but upon closer inspection, a network of fine green vapour trails can be seen drifting from a surface partially melted by the exothermic reaction of the curing resin. as the tar heats it expands, searching for pathways within the resin and rushes to claim open fissures, creating wafer thin golden slivers of coral-like protuberances. the effects of the synthesis of these two disparate elements – one black and dense; the other clear and liquid – results in a riot of colour and explosive formations that engage on both a macro and micro level.
MORE ABOUT TOM PRICE here <<
PROTECT ME FROM WHAT I WANT – OUTFIT
awww.. ART BASEL 2015 is already in the past but still I have so many nice photos to show you. my old iMac is working hard in the heat and it just takes for ever to go through all the pictures.
TODAY I decided to finally select ll the photos and start putting them in nice blogposts. Indeed I did so BUT my iMac just can not take anymore heat. WE NEED A BREAK : )
until then you need to enjoy this lovely ART BASEL 2015 outfit of me wearing the protect me from what I want JENNY HOLZER shirt that I have made for tarzan – ONE OF MY FAVORITE T-SHIRTS EVER.
t-shirt JENNY HOLZER / tarzan.ch
skirt VINTAGE (fleamarket)
coat H&M (recycled materials)
bag ART BASEL 2015
enjoy the heat – soon more on the blog – promised! X
NEW SCENERY IN DREAM – SUK CHULJOO
KEUMSAN GALLERY SEOUL
Suk Chuljoo – NEW SCENERY IN DREAM
MY FASHION INTERPRETATION
this is one of my favorite pieces from SCOPE 2015 I can look at it forever and always see something new. the coolest things about works like this is that you can really zoom into the painting and see even more things.the title fits: NEW SCENERY IN DREAM. yes I can see the new scenery in my pinkish dream.
skirt VINTAGE (fleamarket)
bag and sunglasses C&A
about the artist and project
1950 Born in Seoul
Graduated from Oriental Painting of Faculty of Art, Chugae Art College
Graducated from Graduate School of Education, Dongguk University
HOW IS IT DONE?
“his works were created by reapplying white color on top of ground color applied by using acrylic water color and drawing the outline of mountain using air gun filled with water and regular brush while erasing the water color on surface to reveal the ground”
unfortunately it was very hard to find anything about the artist because not even on the KEUMSAN gallery website there is a link or any additional info about his artwork. I have found that quiet common among asian galleries and artist. AND I DONT UNDERSTAND THIS, why?? It should be the job of the gallery to present the artist with all the information regarding him and his works.
MY PINK MY DREAM – photos taken by Yousef. X
YOSHIDA TAIICHIRO at GALLERY KOGURE
more about TAIICHIRO YOSHIDA
I found the works by Taiichiro Yoshida very disturbing and beautiful the same time. I have never seen such pieces before and I am very glad to have stumbled upon this cool gallery at VOLTA11.my favorite piece is the white and red bird CHIRAL.
Svend-Allan Sørensen via SPECTA at VOLTA11
THOREAU (henry david thoreau, 1817-1862)
american philosopher, poet, political dissident, man of nature etc.
TURGENEV (ivan sergeyevich turgenev, 1818-1883)
russian writer and hunter.
BOGANIS (wilhelm dinesen 1845-1895)
danish officer, hunter, writer and politician. boganis was a pseudonym, which dinesen got from an american indian tribe at mole lake wisconsin in the years 1871-72.
HOW IS IT DONE
“printing, then copying and scanning digital images until a point where I felt that they possesed a certain graphic look, I wanted. the end result is then scanned at a very high resolution, printed by laser printing in an A3 size, the largest format available at the time , and later transferred to the lithographic stone by rubbing it with acetone. the back of the paper is slightly moistened with acetone, which releases the tones to get stuck on the stone, and finally it is possible to print it in the classic lithographic manner.”
PLUGS and FUSES
ROBERT HENRY CONTEMPORARY
BROOKLYN at VOLTA11
about LIZ JAFF
Liz Jaff is a native of New York City and received her BFA from The Rhode Island School of Design in 1989. Her work has been exhibited nationally and internationally, including The Art Complex Center of Tokyo, Japan and Momenta Art, Brooklyn, NY. She maintains her studio in Bushwick, Brooklyn.
about her WORK
“Paper’s versatility is what attracted me to it as my primary medium. Its structural and aesthetic possibilities reveal themselves through my continuous experimentation. I am in love with paper.
I have been folding paper for 15 years. I like repetition and rhythm. My first paper piece was conceived during a stay in Las Vegas and made with hotel stationary: The project folded up and stowed away in the bottom of my suitcase. At that time I began working more abstractly as a way of representing my impressions of places and recollections. Paper became the perfect material to convey ephemeral experience and the ultimate intangibility of memory.
Transforming a two-dimensional surface into a three dimensional shape offers a variety of arrangements for the play of light and shadow on different flat planes.
I use folding to investigate these opportunities, and the circle acts as a character to reveal and conceal form. When repeated, these forms are my substitute for the geometric grid, my response to the squares of Sol Lewitt and Carl Andre and homage to Agnes Martin’s rectangles.”