Tag Archives: art basel

BASEL SOCIAL CLUB

BASEL SOCIAL CLUB

It’s that time of the year again: ART BASEL 2022 week and somehow it feels like the last Art Basel has just been a couple of months ago, and in fact, that’s actually the case. The last two years have been very different and have affected us all in many ways. Hardly any events, limited gatherings etc.. That’s why I am thrilled to share with you this years BASEL SOCIAL CLUB, a place to sit back, relax, reflect and enjoy! 

BASEL SOCIAL CLUB

 

The BASEL SOCIAL CLUB draws inspiration from time-honored institutions such as The Arts Club (1863) in London or the National Arts Club (1898) in New York, and offers a venue for professional exchange and conversation; inviting visitors to spend time with and around artwork, to meet friends and colleagues, or to simply relax by the pool during the busy week. A public program of performances and other events will take place daily. 
The opportunity to get together and exchange ideas is enriched by varied gastronomic offerings. Squadra Ravioli serves coffee, drinks and tacos by the pool and in the garden during the day and in the early evenings.
Every night from 6 p.m. onwards, Peng restaurant invites guests to dine on modern Chinese cuisine and selected wines on the second floor. Cocktails will be served on the ground floor by Gentleman‘s Gin.

Gastronomy
Squadra Ravioli
, by the pool, from 2 pm, www.squadravioli.com,
Peng, 1st flfloor, from 6 pm, www.peng-dumplings.ch, reservation necessary via info@baselsocialclub.com

THE BEVERLY HOLZ

 

The BASEL SOCIAL CLUB is a membership club for guests from the professional art world. Daily and weekly tickets are available on site for all non-members. Detailed information about the program, the exhibiting artists and participating galleries can be found at www.baselsocialclub.com. 

Opening hours
Monday – Saturday: 2 – 10 pm Sunday: 2 – 6 pm
No entry after 9 pm

Lisa Alvarado (Bridget Donahue, New York)
Markus Amm (Galerie Karin Guenther, Hamburg)
Anna-Sophie Berger (Faltpavillon, Basel)
Bernadette Corporation (Greene Naftali, New York)
Miriam Cahn (Meyer Riegger, Karlsruhe/ Berlin/ Basel)
Mariana Castillo (Mendes Wood DM, Sao Paulo/ NY/ Brussels)
Monster Chetwynd (Sadie Coles HQ, London)
Dadamaino (Galerie Knoell, Basel)
Michael Dean (Mendes Wood DM, Sao Paulo/ New York/ Brussels)
Jeremy Deller (The Modern Institute, Glasgow)
Koenraad Dedobbeleer (Clearing, Brussels/ New York)
Daniel Dewar & Grégory Gicquel (Clearing, Brussels/ New York)
David Douard (Rodeo, London / Athens)
Claudia Dyboski (Cordova, Barcelona)
Sam Falls (Franco Noero, Turin)
Irene Fenara (ZERO…, Milan)
Gina Folly (Ermes Ermes, Rome)
Raque Ford (Greene Naftali, New York)
Gina Fischli (Sandy Brown, Berlin)
Jasmine Gregory (Cordova, Barcelona)
Charlotte Herzig (Wilde, Geneva/ Basel)
Karl Holmqvist (Galerie Neu, Berlin)
Judith Hopf (Kaufmann Repetto, Milan/ New York)
Cooper Jacoby (Fitzpatrick Gallery, Paris)
Kentaro Kawabata (High Art, Paris)
Emil Michael Klein (Francesca Pia, Zürich)
Adriana Lara (Aguirree, Mexico City)
Klara Lidén (Galerie Neu, Berlin)
Matthew Lutz-Kinoy (Fitzpatrick Gallery, Paris)
Bill Lynch (The Approach, London)
Amaka Madumere (Cherish, Geneva)
Arthur Marie (Queer Thoughts, New York)
Lou Masduraud (Cherish, Geneva)
Rene Matić (Arcadia Missa, London)
Jacopo Mazzetti (Fitzpatrick, Gallery)
Hedi Mertens (Galerie Mueller, Basel)
Jill Mulleady (Fitzpatrick Gallery, Paris)
Claudia & Julia Müller (Galerie Karin Guenther, Hamburg)
SAGG Napoli (Champ Lacombe, Biarritz)
Shahryar Nashat (Rodeo, London/ Athens)
Meret Oppenheim (Galerie Knoell, Basel)
A.R. Penck
(Galerie Knoell, Basel)
Greg Parma Smith (Francesca Pia, Zürich)
Evelyn Plaschg (Layr, Vienna)
Lukas Quietzsch (Schiefe Zähne, Berlin)
David Rappeneau (Queer Thoughts, New York)
Dorian Sari (Wilde, Geneva/ Basel)
Sergio Sarri (Fitzpatrick Gallery, Paris)
Louise Sartor (Crèvecoeur, Paris)
Will Sheldon (Heidi, Berlin)
Alan Shields (Galerie Bernhard, Zürich)
Soil Thornton (Galerie Neu, Berlin)
Richard Sides (Schiefe Zähne, Berlin)
Lucie Stahl (Queer Thoughts, New York)
Vivian Suter (Karma International, Zürich)
Ulla von Brandenburg (Meyer Riegger, Karlsruhe/ Berlin/ Basel)
Jan Vorisek (Arcadia Missa, London)
Marilola Wili (Amore, Basel)
Zhang Yibei (BANK, Shanghai)
Sun Yitian (BANK, Shanghai)
Mie Yim (Simone Subal, New York)
Urban Zellweger (Karma International, Zürich)
Bruno Zhu (Cordova, Barcelona

 

Location
The Beverly Holz
Bruderholzallee 195
4059 Basel

Switzerland

 

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Elham Etemadi at Volta

Elham Etemadi

after almost two years of living in a pandemic, this year the annual Art Basel is finally taking place again. This morning I started my Art Basel week with the VIP Preview of VOLTA. There I was honored to meet the super kind and very talented Iranian artist Elham Etemadi represented by BAVAN Gallery.

Art Basel Week Elham Etemadi

Elham Etemadi is an immigrant artist who lives and works in France. In her paintings, Elham looks for forms and figures to explore the abilities of painting in reflecting what she captures in her daily concerns. In her expressionist figurative paintings she tries to create a vast and expanded language which is not verbal but visual and is based on human feelings and attentions. Her works are combinations of her different visions and sides of her character; as a mother, a female immigrant, a wife and an artist. She tries to express her experiences in a visual language that may communicate with as much viewers as possible, from different backgrounds, cultures, nationalities and genders.

 

Elham Etemadi at VOLTA

I absolutely love her work. Looking at it makes me drift off from reality and every time I see something new that I have not seen before. Somehow like a very artsy form of “Where is Wally” if you know what I mean. The color composition is totally up my alley. I can already see where I would hang this 200 x 320 x 4 cm “Sublime Suspension” piece. I am very delighted to show you her work on my blog. And I am looking forward to seeing more of her work.

Elham Etemadi at Volta

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ALICIA FRAMIS Art Basel Unlimited

ART BASEL

And another ART BASEL week has passed and I am currently looking back at all the shows and art works I have seen and am trying to sort out a coherent blogpost. There is a lot going on in Basel during the Art Basel week: Art Basel, Art Unlimited, Design Miami Basel, Liste, VOLTA, photobasel..
Art Basel brought together 290 premier galleries, presenting works ranging from early 20th century Modern art to the most contemporary pieces.While galleries from Europe continued to be strongly represented, the show featured returning and new exhibitors from across the globe, including Asia, Europe, North and South America, the Middle East, and Africa.

ALICIA FRAMIS Art Basel Unlimited

Let’s start with what I loved at ART UNLIMITED. I absolutely loved the work of Alicia Framis represented by the Galeria Juana de Aizpuru in Madrid, Spain. She was born 1967 in Barcelona, Spain and lives and works in Amsterdam, The Netherlands. Her piece is called LifeDress, 2018 and is a mixed media installation with 9 dresses made out of airbag fabric. I found this information on her website:
The Lifedress, 2018 offers a new way for demonstration against sexual harassment and violence towards women, and consists of dresses made out of airbag fabric from cars: a high tech material made in Japan with a high resistance to impacts and fire. Each dress is made to protect against a different form of (sexual) harassment, and designed to change form when intimidation occurs. The work can be seen as a social comment on gender patterns in our society nowadays. Some forms of sexism and ways of speaking about women are so engrained into our society that we hardly notice them anymore or brush them off as ‘locker room banter’. There are myriad ways in which women try to protect themselves in their everyday lives against sexual harassment and violence and these dresses make us aware of this crude reality. Framis employs elements of technology, activism and performance in this new work. With LifeDress she aims to bring women together and open the debate. Framis discusses a serious issue, but through a surrealistic act. New ways of demonstration for women is a topic Framis has been exploring over the past two decades with works such as Anti_dog, 100 Ways to Wear a Flag and Is My Body Public?. These fashion demonstrations are tools to protest against inequality towards women.

ALICIA FRAMIS Art Basel Unlimited ALICIA FRAMIS Art Basel Unlimited ALICIA FRAMIS Art Basel Unlimited

My favorite piece of VOLTA is by Irene Grau, she was represented by Galerie Heike Strelow from Franfurt am Main, Germany. I love the very simple but deep shades of gray and black in her pieces “on what is left”.
IRENE GRAU
Irene Grau’s work speaks about painting and landscape, of process and displacement through rigorous research into the possibilities of monochrome painting and its relation to landscape as both genre and framework, but above all as experimentation; as a way of seeing. All of which is intermixed following the traditions of radical monochrome painting, mural painting, but also the performative processes and the genre of landscape art, which she interprets to a great extent. Often her work develops in series which are the result of a long site-specific research in nature, followed by an extensive work period in her studio where she experiments with different materials and techniques, to be finalized in the exhibition space, where the work is again transferred and transformed in order to create a entity with the specificity of the space. The title of her recent doctoral thesis, The Painter on the Road, perfectly sums up her interest and attitude toward the medium of painting, and Irene Grau’s process could perfectly be described as a conceptual pleinairist, who states that her work is “what remains” of a wider experience, going far beyond the physically traveled landscape or an explored architectural structure. Solely transmitting an experience may well lack of concrete information, yet her work leaves enough hints to the viewer to allow access through process, intervention, and the document thereof, in order to visually and conceptually understand the artist’s modus operandi and artistic questioning and concerns.

IRENE GRAU

At Design Miami Basel I fell in love with so many furniture pieces and it is therefore really really hard for me to only select one. Therefore I will show you all of my favorites. Also I didnt want to spam you with too much information about each designer and or gallery and thats why there is only a caption below each photo. I hope you liked all the pieces that I have showed you in that blog post and am already looking forward to the Art Basel week 2020.

Design Miami BaselAlain Richard Armchairs 159 / Galerie Pascal Cuisinier 

Design Miami BaselBijoy Jain dining chair / studio mumbai  

Design Miami Basel

 

 

 

 

 

 

 

 

Studio BBPR 1947 / Nilufar gallery

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ART PARCOURS 2018

ART PARCOURS 2018

Curated for the third consecutive year by Samuel Leuenberger,  ART PARCOURS 2018
presents 23 site-specific artworks displayed throughout Basel’s historic center.
The sector will feature work by Silvia Bächli & Eric Hattan, Nina Beier, stanley
brouwn, Julian Charrière, Keren Cytter, Simon Denny, Elmgreen & Dragset, Georg
Herold, Pierre Huyghe, Hilary Lloyd, Mark Manders, Caroline Mesquita, Rivane
Neuenschwander, Marina Pinsky, Julian Rosefeldt, Nedko Solakov, Simon Starling,
Jessica Stockholder, Thomas Struth, Paloma Varga Weisz and Hannah Weinberger.

>> ART PARCOURS 2018 MAP <<

On Saturday, June 16, Parcours Night once again will present a specially curated
program of live performances with extended opening hours of Parcours and of
some of Basel’s leading museums. Art Basel, whose Lead Partner is UBS, takes
place at Messe Basel from June 14 to June 17, 2018.
Opening Monday afternoon, June 11, ART PARCOURS 2018 will reflect on the political potentials of storytelling, seeking to investigate what stories can tell us about our lives. Titled ‘Telling Stories for the Future’, the exhibition will encompass presentations in civic and private locations that will open exclusively for Parcours as well as collaborations with Basel’s museums, encouraging alternative social and geographical encounters with the city.

ART PARCOURS 2018BEIER Nina Beast 2018, Mars 2018

Through a focus on storytelling, Samuel Leuenberger, Director and Curator of SALTS in Birsfelden, Switzerland, aims to cultivate commonalities and allied thinking across social, geographic, ethnic, economic and ecological boundaries. Highlights include Thomas Struth’s ‘Animals’ (2018), a series of 10 photographs that sensitively capture animals following their moment of surrender. Installed in the Erste Kirche Christi, the work will be drawn from his recent images of scientific and surgical environments, as well as the history of memento mori in art. A program of live music, chosen by Struth in collaboration with guitarist Frank Bungarten, will be presented at selected times throughout the week.
By installing 10 sound systems throughout Basel’s sewers, Hannah Weinberger will create a mysterious soundscape scattered across the city that invites the public to tune into a new experience of the city. Each of the 10 sewers will be activated with site-specific compositions created by Weinberger that play against the daily sounds of the sewers and the city.

ART PARCOURS 2018Julian Rosefeldt

Suspended in mid-air inside the Antikenmuseum Basel und Sammlung Ludwig, Elmgreen & Dragset’s large-scale sculpture ‘Hanging Rock’ (2017) will act as a blockade, concealing certain elements of the architectural structure that surrounds it. Playing on the ideas of nature, gravity and natural phenomena, the piece explores preconceived views of natural beauty and the overcoming of obstacles. Pierre Huyghe’s ‘Exomind (Deep Water)’ (2017) features a crouching female figure with a beehive growing from her head. The colony of bees living inside the hive will pollinate the surrounding flora in the garden of the Allgemeine Lesegesellschaft Basel.
Parcours Opening Hours
Parcours Opening: Monday, June 11, 1pm to 4pm (projects open till 8pm)
Tuesday, June 12 to Friday, June 15, 10am to 8pm
Saturday, June 16, 10am to 12midnight
Sunday, June 17, 10am to 7pm

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Design Miami Basel 2017

Design Miami Basel 2017

Like every year I am visiting the Design Miami Basel show which takes place in hall 1, right next to the Art Basel venue. There were so many nice things to show you and I have tried my best to give you a glimpse of what I saw this year.
About Design Miami Basel 2017
Design Miami/ is the global forum for design. Each fair brings together the most influential collectors, gallerists, designers, curators, and critics from around the world in celebration of design culture and commerce. Occurring alongside the Art Basel fairs in Miami each December and Basel, Switzerland, each June, Design Miami/ has become the premier venue for collecting, exhibiting, discussing, and creating collectible design. For more information, please visit designmiami.com.

Scholten & Baijings
The Dutch design duo Scholten & Baijings, Japanese Architect Sano Fumihiko, and kimono designer Takahashi Hiroko have teamed up to celebrate four hundred years of Arita porcelain and will present a new Arita collection of twenty-seven pieces of tableware. To produce these dishes, the team applied abstract patterns of traditional motifs, studied Arita’s historical collections, sifted through museums and the archives of the Hataman Touen pottery and, in the process, rediscovered and brought back to life long-forgotten techniques.

Design Miami Basel 2017
Scholten & Baijings
Design at Large

Design Miami Basel 2017
Courtesy of Circe

Design Miami Basel 2017 has tapped the visionary mind of notable American fashion designer Thom Browne to bring to life the 2017 Design at Large installation. This is the first time a fashion designer will conceive the ambitious, large-scale presentation. Known for his conceptual installations, Browne will exhibit a vast grid of the most important desks from the last one hundred years, including statement pieces from masters such as Jean Prouvé and Ron Arad, beside the set installation from his Fall / Winter 2014 Men’s Runway Show. Alongside the centennial of significant desks in design history, the exhibition will be animated by a choreographed performance conceived specifically for Design at Large focusing on young design students and their creative interactions with the installation. This performance will mark the current shifts in traditional work styles, question the desk typology, and reconsider today’s adapted styles of working.

Design Miami Basel 2017
Courtesy of Dan and Corina Lecca 

Political Responses in Design
Reflections of the politics of our times can often be found in design objects and architecture. Galerie Patrick Seguin presents a demountable 6 x 9–meter Jean Prouvé house from 1944, which was conceived for easy assemblage and to house large families in response to eastern France suffering great damages from the Second World War. The architecture collective BBPR, formed in 1932 by Gianluigi Banfi, Lodovico Barbiano di Belgiojoso, Enrico Peressutti, and Ernesto Nathan Rogers, initially adhered to Fascism, but soon became part of the resistance––Banfi and Di Belgiojoso were imprisoned at the Mathausen concentration camp where Banfi died, and Rogers, being of Jewish descent, was exiled from Italy to Switzerland. Their works are shown at Nilufar Gallery, Galleria Rossella Colombari, Casati Gallery, and Gate 5.

Design Miami Basel 2017
6×9 Demountable HouseJean Prouvé, 1944/ Courtesy of Galerie Patrick Seguin

Gallery Program Design Miami Basel 2017
ammann//gallery/ Cologne
Antonella Villanova/ Florence
Caroline Van Hoek/ Brussels
Carpenters Workshop Gallery/ Paris, London & New York
Casati Gallery/ Chicago
Chamber/ New York
Cristina Grajales Gallery/ New York
Dansk Møbelkunst Gallery/ Copenhagen & Paris
Demisch Danant/ New York
Erastudio Apartment-Gallery/ Milan
Etage Projects/ Copenhagen
Friedman Benda/ New York
Galerie Alain Marcelpoil/ Paris
Galerie Eric Philippe/ Paris
Galerie Jacques Lacoste/ Paris
Galerie kreo/ Paris & London
Galerie Maria Wettergren/ Paris
Galerie Matthieu Richard/ Paris
Galerie Pascal Cuisinier/ Paris
Galerie Patrick Seguin/ Paris & London
Galerie Philippe Gravier/ Paris
Galerie VIVID/ Rotterdam
Galleria Rossella Colombari/ Milan
Galleri Feldt/ Copenhagen & Berlin
Gallery ALL/ Los Angeles & Beijing
Gallery FUMI/ London
Gate 5/ Monaco
Giustini Stagetti/ Galleria O. Roma/ Rome
Heritage Gallery/ Moscow
Hostler Burrows/ New York
Jousse Entreprise/ Paris
LAFFANOUR – Galerie Downtown/ Paris
Magen H Gallery/ New York
MANIERA/ Brussels
Marc Heiremans/ Brussels
Mercado Moderno/ Rio de Janeiro
Nilufar Gallery/ Milan
Ornamentum/ Hudson
Pierre Marie Giraud/ Brussels
R & Company/ New York
Robert Zehil Gallery/ Monte Carlo
Salon 94 Design/ New York
Sarah Myerscough Gallery/ London
Siegelson/ New York
Thomas Fritsch – ARTRIUM/ Paris
Todd Merrill Studio
Victor Hunt Designart Dealer/ Brussels
Curios Design Miami Basel 2017
88 Gallery/ Hong Kong & Paris
Atelier Swarovski/ London
Label Dalbin/ Paris
OV Project/ Brussels
Oscar Humphries/ London
Priveekollektie Contemporary Art | Design/ Heusden aan de Maas
Scholten & Baijings/ Amsterdam
Sokyo Gallery/ Kyoto
SUPERGUFRAM/ Barolo
Suzanne Syz/ Geneva

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AUDEMARS PIGUET AT ART BASEL 2016

AUDEMARS PIGUET AT ART BASEL 2016

 Audemars Piguet at ART Basel 2016
AUDEMARS PIGUET AT ART BASEL 2016
Audemars Piguet presented a new series of moving image and photographic works by Dan Holdsworth at the Audemars Piguet booth, designed by Sebastian Errazuriz, in the Collectors Lounge at Art Basel (16 – 19 June 2016).
As already mentioned, the lounge is designed by Chilean born, New York-based artist and designer Sebastian Errazuriz. The theme of the stand is based on ‘Water and Ice’. And when I asked him what was behind the idea of the design he answered:
“whats incredible, because of the snow and the ice Le Brassus for long time it has always been isolated. so for six to nearly eight months a year they were blocked out. so this notion that you are completely isolated was actually what gave them the time to develop their technology. they had nothing else to do. so this problem becomes actually something benefitial for them and for us. why not bringing back that driving force as a concept. Originally we wanted a qiant slab of ice inside this space. Audemars Piguet was interested, Art Basel was like: no way it is happening. so we started thinking how do we symbolize this idea in a more economically responsible way.”
The result of his idea is what you can see in the photos below. Sebastian created the design of the booth around the theme of ice, water and winter in the Vallée de Joux. I personally like the ice tank that you can see in the first photo the best. I can stare at it forever!
AUDEMARS PIGUET AT ART BASEL 2016
Another thing that I found out at the press conference was, that the design is inspired by one of Sebastian’s childhood memories. The memory of water dripping into a bucket and the distinct natural rhythm that this caused. Taking inspiration from the visual design codes of ice formations and the beautiful snowed winters in Le Brassus and the Vallée de Joux, the new collectors lounge features a more spacious and luminous design language that resonates with contemporary creative energy. The design reflects the clean purity of nature and the presence of time.

AUDEMARS PIGUET AT ART BASEL 2016

I really like the new Audemars Piguet booth and I could relate very much to the ideas behind the design by Sebastian Errazuriz. Above and below you can see the art deco inspired lamps that fit perfectly into the whole design of the lounge.

AUDEMARS PIGUET AT ART BASEL 2016

WHO IS SEBASTIAN ERRAZURIZ?

Artist, designer and activist Sebastian Errazuriz has received international acclaim for his original and provocative works on a variety of areas and disciplines. Tackling everything from political artworks to giant public art projects, experimental furniture to product design and women’s shoes to motorcycles, Sebastian’s work is always surprising and compelling, inviting the viewer to look again at realities that were often hidden in front of their own eyes.

in case you did not know about him you should def check his website and see his amazing design pieces. one of my favorite is the soup plate that does not need to be tilted to get the last couple of spoons of soup. another cool piece, that I like a lot, is the chop stick that has a fork on one end and can be either used as a fork or broken into chopsticks. besides these he designed really cools shoes but have a look for yourself >> http://www.meetsebastian.com

AUDEMARS PIGUET AT ART BASEL 2016 AUDEMARS PIGUET AT ART BASEL 2016

Inside the booth designed by Sebastian Errazuriz there were a very limited amount of watches in display and the beautiful art works by Dan Holdsworth. Unfortunately I did not have time to visit the gallery in ZH but I did see some of his work online and inside the collectors lounge.
ABOUT DAN HOLDSWORTH AND HIS ARTWORK

The details of a new series of photographic works by Dan Holdsworth has been premiered on the Audemars Piguet booth in the collectors lounge at Art Basel’s show in Basel. 
These photographic pieces explore the unique geological formations found in Audemars Piguet’s home, the Vallée de Joux in the Jura Mountains. By referencing the epic timescales by which these rock formations were formed, the works will invite the viewer to reimagine their relationship with time.
Holdsworth’s new moving image work will be accompanied by photographic pieces exploring the unique geological formations found in Audemars Piguet’s home at le Vallée de Joux. In parallel with the new works presented by Audemars Piguet in Basel, Holdsworth’s solo show, A Future Archeology, will open at SCHEUBLEIN + BAK, Zurich on 1 June, running until 2 September 2016. The exhibition will premiere new works from his Continuous Topography and Spatial Objects series, exploring the landscape of the Mont Blanc glacier using the same pioneering technologies to map out the fine detail of the region.

AUDEMARS PIGUET AT ART BASEL 2016

thank you Audemars Piguet for inviting me and organizing my interview with Sebastian Errazuriz. It was a pleasure to feature your booth on my blog. Llike every year it was a blast to be at Art Basel and get the chance to see so many nice things. thank you all! X
http://www.meetsebastian.com
http://www.danholdsworth.com
http://www.audemarspiguet.com

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ART BASEL WEEK SCHEDULE

ART BASEL WEEK SCHEDULE

ART BASEL WEEK SCHEDULEArt Basel – Messeplatz
June 16-19 2016
how to get there: TRAM: 6, 2, 1/14 (stop: Messeplatz)
as you may all know, the Art Basel week is my favorite week in Basel. next to the main Art Basel show there are many other side fairs like, Design Miami Basel, VOLTA, SCOPE, LISTE, THE SOLO PROJECT, RHY ART FAIR, PHOTOBASEL, EAF and many more. at the moment I am trying to put together an agenda and share all the highlights with you.
are you familiar with the history of Art Basel?
1970
three Basel gallerists put their passion and determination behind an ambitious vision to form an international art fair. now, Art Basel stages the premier international art shows, providing platforms for galleries and artists from around the world. art gallerists Ernst Beyeler, Trudi Bruckner and Balz Hilt of Basel create an international art fair that proves to be a success from the start. more than 16,000 visitors attend the inaugural show to see 90 galleries and 30 publishers from 10 countries.
1975
only five years after its founding, the Basel show reaches its current size of almost 300 exhibitors. the participating galleries come from 21 countries, attracting 37,000 visitors.
1995
the Art Video Forum platform debuts. Pipilotti Rist and Enrique Fontanilles are the first recipients of the video art prize endowed by the main partner the swiss bank corporation.
2000
the Unlimited platform revolutionizes the classic exhibition booth by creating an open-plan environment that plays host to all types of ambitious contemporary media: installations, monumental sculptures, large-scale paintings, video works, and performance arts. first special exhibition devoted to Artist Books, an art form ordinarily accorded marginal attention at art fairs.
2004
a series of panel discussions were introduced with leading members of the art world providing exclusive access to first-hand information on collecting and exhibiting art. panelists include prominent art collectors, museum directors, biennale curators, artists, art critics, and architects. under the title of Public Art Projects, projects of an institutional scale are presented in the spacious, revamped exhibition area on Messeplatz.
2010
debut of the Parcours sector, expanding the show beyond Messeplatz, presenting site-specific public artworks and performances in the historical neighborhoods of Basel. the new Feature sector, replacing Art Premiere, offers gallerists a chance to participate in the show with historical material, solo shows by artists of all ages and precise curatorial juxtapositions.
this year I will focus on the works of Dan Holdsworth and the design of Sebastian Errazuriz for the collectors lounge booth of Audemars Piguet. stay tuned for more. X
Volta 12 BaselNacht
VOLTA12 – Markthalle
JUNE 13-18 2016
how to get there:
TRAM: 2, 6  BUS: 30 (stop: MARKTHALLE) and 8, 11, 10 (stop SBB station and walk 2 min.)
TRAIN: all trains to BASEL SBB
VOLTA12 BASEL NACHT June 16, 5-9 PM –
I am a huge fan of VOLTA and am really proud to be soon featuring one of their artists on the blog. like in previous years VOLTA12 is taking place inside the beautiful Markthalle, next to the SBB train station. in case you did not know that there will be an event on THURSDAY then have a look at my previous post and get your tickets here >>
in case you wanna share it with your friends:
the code to get your free BASEL NACHT passes is SOMETHINGNICE and you need to sign up via this link: https://www.microspec.com/tix123/eTic.cfm?code=VOLTA1216
ART BASEL WEEK SCHEDULESCOPE – WEBERGASSE 34
JUNE 14-19 2016
how to get there:
TRAM: 1/14, 6, 8, 17 (stop: CLARAPLATZ)
BUS: 34, 31, 38 (stop: CLARAPLATZ)
this years SCOPE fair is held in a new location very close to Claraplatz. I can not wait to see the new space and am curious to see this years exhibitors.

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Jorge Mendez Blake

Jorge Mendez Blake Jorge Mendez Blake

ABOUT JORGE MENDEZ BLAKE
Born  in  1974  in  Guadalajara,  México.
Lives  and  works  in  Guadalajara.FacebooktwittermailFacebooktwittermail

TO ME YOU ARE PERFECT

Jeppe Hein Jeppe Hein

ABOUT JEPPE HEIN

1974 born in Copenhagen
1997 Royal Danish Academy of Arts, Copenhagen
1999 Städel Hochschule für Bildende Künste, Frankfurt / Main
lives and works in Copenhagen / BerlinFacebooktwittermailFacebooktwittermail

ART BASEL OUTFIT

my outfit

finally I can show you my ART BASEL outfit and the cool thing for you is that the pieces are on SALE now – yay. I found this lovely jersey dress by ARMANI JEANS and the super comfy flat shoes by MARCO TOZZI. the dress is now 90 CHF instead of 175 CHF and the shoes are 23 CHF instead of 41 CHF – thats a nice deal!

I got back from my one week vacation in sicily, castellammare del golfo to be precise, and oh boy it was super nice there. I miss the beach already… but I need to get back to work – so many nice things out there that I wanna feature on my blog. lots of ART BASEL posts will be following and soon also my SICILY GUIDE for CASTELLAMMARE DEL GOLFO – stay tuned.

outfit

dress ARMANI JEANS via zalando.ch
shoes MARCO TOZZI via zalando.ch
bag DESIGN MIAMI BASEL official bag 2015
coat PAUW

my outfit

phtoto taken by MO – thanks. XFacebooktwittermailFacebooktwittermail

FOOD FOR THOUGHT ‘Almuallaqat’ 2014

Art Unlimited

MAHA MALLUH
FOOD FOR THOUGHT ‘Almuallaqat’ 2014

maha malluh is a saudi artist, born in the traditional region of najd, who explores the challenges of modernity that have come so overwhelmingly to saudi arabia. she has exhibited since 1976 and has in later years acquired a BA in english literature and a californian certificate in design and photography. continuous in her artwork, that started with collages and developed into photograms, is her use of symbolic and real imagery to express her opinion about life in saudi arabia.

Art Unlimited Art Unlimited

seen at Art Basel Unlimited via GALERIE KRINZINGER (Vienna, Austria)

“Used aluminium cooking pots from around Saudi Arabia. Sizes vary from pots that fit a leg of lamb to those that fit three camels.

Arab culture is a predominantly literary one, with the Spoken Word being an intrinsic part of the Arab cultural mindset. From the dawn of Arab history and civilization, the oral literature of the region has dominated the cultural scene. It is the pride of every Arab. This is not to say that the visual culture was not important, yet it did not have the same value as the Spoken Word.

As I am interested in the visual culture of our region, and the immense impact globalization has had and is still having on our part of the world, I often find myself contemplating these very significant issues.

To try and come to terms with this shift, from primarily oral to visual culture, which has also come with the rise of the museum institutions, art galleries and fairs in the past decade, this works attempts to create a platform where the literary and the visual are both celebrated and hung.

Old aluminium pots, these ones here which have come from various flea markets around Saudi Arabia, have been used throughout history by Arabs both at home in urban areas, in Bedouin tents, and also more recently in restaurants, as cooking vessels. The sizes of these pots vary, with some able to hold as much as 3 camels. As such these pots held one of the most prized animals of the desert, the camel, in order to feed guests and customers. But with food comes other narratives, other stories, other histories, histories of travel, or adventure, of change, anecdotes and comic tales which people discuss over food. These pots are therefore a celebration of Arab history, of Arab traditions of hospitality as well as of a visual reproduction of personal histories.

The title of this work, is Food for Thought ‘Al-Muallaqat’, a reference to the great muallaqat, or ‘Hanging Odes’, canonical Arabic poems by great pre-Islamic or jahili poets from Arabia that once were hanging on the Ka’ba in Mecca. Unfortunately, these canonical Arabic poems are studied and read as being part of a lost heritage, a past golden age which bears to reflection on our modern realities as Saudi Arabians. This is also met with astonishing records as to the percentage of the reading public in the Arab world.

Thus, what this work calls out for is a reconnection with our literary heritage, but using the visual medium to do so in order to communicate with the rest of the world. Therefore, these hanging pots are both a salute to our literary heritage, as well as being a testament to our current need for everything visual. These pots speak of our revived archaeological search for our visual heritage, our culture that has been in the shadows of our literary heritage for so long. Without dismissing the significance and aesthetic beauty of the original muallaqat, this work both acknowledges the position poetry has in Arab culture and heritage, whilst simultaneously allowing for an engaging visual dialogue with the remainder of the world.”FacebooktwittermailFacebooktwittermail

PROTECT ME FROM WHAT I WANT – OUTFIT

ME

awww.. ART BASEL 2015 is already in the past but still I have so many nice photos to show you. my old iMac is working hard in the heat and it just takes for ever to go through all the pictures.

TODAY I decided to finally select ll the photos and start putting them in nice blogposts. Indeed I did so BUT my iMac just can not take anymore heat. WE NEED A BREAK : )

until then you need to enjoy this lovely ART BASEL 2015 outfit of me wearing the  protect me from what I want JENNY HOLZER shirt that I have made for tarzan – ONE OF MY FAVORITE T-SHIRTS EVER.

outfit

t-shirt JENNY HOLZER / tarzan.ch
skirt VINTAGE (fleamarket)
coat H&M (recycled materials)
shoes DIVIDED
bag ART BASEL 2015
sunglasses C&A

enjoy the heat – soon more on the blog – promised! XFacebooktwittermailFacebooktwittermail

ROLLS-ROYCE TO PRESENT A NEW COMMISSION BY ISAAC JULIEN

Isaac Julien

ROLLS-ROYCE TO PRESENT A NEW COMMISSION BY ISAAC JULIEN
DURING ART BASEL IN BASEL 2015

Rolls-Royce Motor Cars will present the first public showing of Isaac Julien’s new work Stones Against Diamonds during Art Basel in Basel, 2015. The work, commissioned as part of the Rolls-Royce Art Programme, will be shown at the Kirche Elisabethen, Basel, from 16-17 June 2015. Following the preview during the Venice Biennale last month, the video installation will be shown on a larger scale than previously seen, as a unique site specific installation filling the magnificent interior of the imposing church across ten screens.

Isaac Julien’s film draws inspiration from a letter written by Brazilian architect Lina Bo Bardi. Stones Against Diamonds examines themes within her letter, where she praises the beauty of natural elements over preferred precious stones. Filming the work in remote Vatnajökull region, in South East Iceland, using the breathtaking scenery of glistening ice caves as a set for the film, Julien portrays some of the most beautiful objects as the least precious in a conventional sense. The shoot took place over five days with the crew enduring sub-zero temperatures deep in the heart of spectacular glacial caves, formed in ice over thousands of years and accessible for only a few days a year due to the harsh climate. Signature elements of Bo Bardi’s work have been incorporated into Julien’s work, including a staircase, meticulously built by hand in the ice cave during the production of the film.

Stones Against Diamonds is commissioned as part of the Rolls-Royce art programme, which draws together the handcrafted elegance of the marque’s motor cars with contemporary artists around the world. It is a prelude to a larger piece that Julien is to complete in 2016, which will meditate on Bo Bardi’s creative production, and will be shot in Italy and Brazil.

about Isaac Julien
Isaac Julien is one of Britain’s most important and influential installation artists and filmmakers. Born in London in 1960, where he currently lives and works, Julien studied at St Martins’ School of Art. His work draws from and comments on a range of disciplines and practices (film, dance, photography, music, theatre, painting, and sculpture) and unites them in dramatic audiovisual film installations, photographic works, and documentary films.FacebooktwittermailFacebooktwittermail