Tag Archives: exhibition

VOLTA 14

VOLTA 14

” VOLTA’s journey started 14 years ago at Volta-Platz in Basel, right around the corner from our latest venue,” notes Amanda Coulson, VOLTA Artistic Director. “Throughout the years, VOLTA consistently claimed new territory through content and location. Always evolving, continuously reinventing our shape, consistently moving forward, constantly exploring new terrains and positions. We aim to do what we do best: providing a platform for professional gallery work while remaining a place for research and discovery. ”
VOLTA 14
Half of the positions this year feature solo artist projects and “dialogues” between two artists, the foundation of VOLTA’s focused and artist-centered program. Among the 20 solo presentations for 2018: Jorma Puranen (presented by Galerie Anhava, Helsinki), a conceptual photography pioneer and celebrated vanguard of the Helsinki School; Malala Andralavidrazana (presented by Alessandro Casciaro, Bolzano), the Paris-based Malagasy artist whose re-appropriated precolonial maps encourage cultural centering and global connectivity; Jaco van Schalwyk (presented by Barnard Gallery, Cape Town), who unveils Nemora, an enveloping forest installation that reflects both Paradise and the peril of over-industrialization; Ilona Szalay (presented by Arusha Gallery, Edinburgh), a Threadneedle Prize finalist, whose figurative compositions on aluminum speak strongly to #MeToo; and a commentary on value structures, via mechanized cardboard object-sculptures by Daniel Agdag (presented by MARS Gallery, Windsor), whose film Lost Property Unity was shortlisted for Best Animated Short at the 2018 Oscars.

VOLTA 14

Saori Miyake The missing shade 22-2 2017, Gelatin silver print, 79.5 x 52 cm. Presented by waitingroom (Tokyo)

Highlights from the 20 dual-artist booths at VOLTA: a consideration on art as activism presented by AD Gallery (Athens), featuring Manuel Ocampo, who co-represented The Philippines at the 57th Venice Biennale, and Mihael Milunovic, subject of a major solo exhibition at the National Museum of Contemporary Art in his homeland, Serbia; an interface of digital and physical realities implemented by SCAG (Vienna), featuring new media rising stars Christiane Peschek and Julian Palacz; and a cross-generational celebration of an artist’s handwork at Tezukayama Gallery (Osaka), starring mark-making minimalist veteran Moriyuki Kuwabara, who made his Art Basel debut in 1977, and emotive figurative sculptor Yoshiyuki Ooe, whose own international splash occurred nearly 40 years later at Art15 London.

VOLTA 14

Saori Miyake The missing shade 22-2 2017, Gelatin silver print, 79.5 x 52 cm. Presented by waitingroom (Tokyo)

The other half of VOLTA14 exhibitors convey thematic concepts and material surveys, with highlights including: “Tables Pots and Plants – A Song for Matisse”, a love-letter to the still-life from V1 Gallery (Copenhagen), featuring an ensemble cast from the gallery’s international roster, furniture by Charlotte Perriand, and a publication; “The Hierarchy of Scale” by Charlie Smith London (London), highlighting the classical power imbued in artworks miniature and monumental, with artists’ differing dimensions in direct dialogue with one another; and Primae Noctis (Lugano) champions distinct local tradition and sociopolitical concerns across the African continent, led by Abdoulaye Konaté, the celebrated Malian textile artist whose recent exhibitions include a two-decade survey at ARKEN Museum of Modern Art (DK) and a major installation for Vive Arte Vive at the 57th Venice Biennale.
VOLTA 14

Christiane Peschek Velvet Fields, Kat. 1 2017, Healing brush and Stamp tool on Skin tone; Pigment print on Aluminum, 120 x 95 cm. Courtesy of SCAG and the Artist. Presented by SCAG (Vienna)

VOLTA 14

VOLTA 14 moves location for the upcoming 2018 edition, inaugurating the former COOP distribution center at Elsässerstrasse 215, adjacent to Novartis Campus, the Basel headquarters of the global healthcare company. Following the adage “there’s no place like home”, VOLTA’s new venue is a five-minute walk from Voltaplatz, site of the original VOLTAshow and down the street from where the Rhine baptized its founders back in 2005. VOLTA 14 opens in previews on Monday, 11 June and continues through Saturday, 16 June, concurrent with Art Basel Week 2018.

NEW LOCATION

VOLTA 14

OPENING HOURS
Monday, June 11 – Saturday, June 16, 2018
Closed on Sunday
PREVIEW + PUBLIC OPENING Monday, June 11
Guest of Honor Preview 10 am – 12 pm
VIP / Press Preview 12 – 2 pm
Public Vernissage 2 – 7 pm
REGULAR HOURS
Tuesday – Saturday, June 12 – 16
10 am – 7 pm
SATURDAY PUBLIC SOIRÉE 7 – 9 pm
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Design Miami Basel 2017

Design Miami Basel 2017

Like every year I am visiting the Design Miami Basel show which takes place in hall 1, right next to the Art Basel venue. There were so many nice things to show you and I have tried my best to give you a glimpse of what I saw this year.
About Design Miami Basel 2017
Design Miami/ is the global forum for design. Each fair brings together the most influential collectors, gallerists, designers, curators, and critics from around the world in celebration of design culture and commerce. Occurring alongside the Art Basel fairs in Miami each December and Basel, Switzerland, each June, Design Miami/ has become the premier venue for collecting, exhibiting, discussing, and creating collectible design. For more information, please visit designmiami.com.

Scholten & Baijings
The Dutch design duo Scholten & Baijings, Japanese Architect Sano Fumihiko, and kimono designer Takahashi Hiroko have teamed up to celebrate four hundred years of Arita porcelain and will present a new Arita collection of twenty-seven pieces of tableware. To produce these dishes, the team applied abstract patterns of traditional motifs, studied Arita’s historical collections, sifted through museums and the archives of the Hataman Touen pottery and, in the process, rediscovered and brought back to life long-forgotten techniques.

Design Miami Basel 2017
Scholten & Baijings
Design at Large

Design Miami Basel 2017
Courtesy of Circe

Design Miami Basel 2017 has tapped the visionary mind of notable American fashion designer Thom Browne to bring to life the 2017 Design at Large installation. This is the first time a fashion designer will conceive the ambitious, large-scale presentation. Known for his conceptual installations, Browne will exhibit a vast grid of the most important desks from the last one hundred years, including statement pieces from masters such as Jean Prouvé and Ron Arad, beside the set installation from his Fall / Winter 2014 Men’s Runway Show. Alongside the centennial of significant desks in design history, the exhibition will be animated by a choreographed performance conceived specifically for Design at Large focusing on young design students and their creative interactions with the installation. This performance will mark the current shifts in traditional work styles, question the desk typology, and reconsider today’s adapted styles of working.

Design Miami Basel 2017
Courtesy of Dan and Corina Lecca 

Political Responses in Design
Reflections of the politics of our times can often be found in design objects and architecture. Galerie Patrick Seguin presents a demountable 6 x 9–meter Jean Prouvé house from 1944, which was conceived for easy assemblage and to house large families in response to eastern France suffering great damages from the Second World War. The architecture collective BBPR, formed in 1932 by Gianluigi Banfi, Lodovico Barbiano di Belgiojoso, Enrico Peressutti, and Ernesto Nathan Rogers, initially adhered to Fascism, but soon became part of the resistance––Banfi and Di Belgiojoso were imprisoned at the Mathausen concentration camp where Banfi died, and Rogers, being of Jewish descent, was exiled from Italy to Switzerland. Their works are shown at Nilufar Gallery, Galleria Rossella Colombari, Casati Gallery, and Gate 5.

Design Miami Basel 2017
6×9 Demountable HouseJean Prouvé, 1944/ Courtesy of Galerie Patrick Seguin

Gallery Program Design Miami Basel 2017
ammann//gallery/ Cologne
Antonella Villanova/ Florence
Caroline Van Hoek/ Brussels
Carpenters Workshop Gallery/ Paris, London & New York
Casati Gallery/ Chicago
Chamber/ New York
Cristina Grajales Gallery/ New York
Dansk Møbelkunst Gallery/ Copenhagen & Paris
Demisch Danant/ New York
Erastudio Apartment-Gallery/ Milan
Etage Projects/ Copenhagen
Friedman Benda/ New York
Galerie Alain Marcelpoil/ Paris
Galerie Eric Philippe/ Paris
Galerie Jacques Lacoste/ Paris
Galerie kreo/ Paris & London
Galerie Maria Wettergren/ Paris
Galerie Matthieu Richard/ Paris
Galerie Pascal Cuisinier/ Paris
Galerie Patrick Seguin/ Paris & London
Galerie Philippe Gravier/ Paris
Galerie VIVID/ Rotterdam
Galleria Rossella Colombari/ Milan
Galleri Feldt/ Copenhagen & Berlin
Gallery ALL/ Los Angeles & Beijing
Gallery FUMI/ London
Gate 5/ Monaco
Giustini Stagetti/ Galleria O. Roma/ Rome
Heritage Gallery/ Moscow
Hostler Burrows/ New York
Jousse Entreprise/ Paris
LAFFANOUR – Galerie Downtown/ Paris
Magen H Gallery/ New York
MANIERA/ Brussels
Marc Heiremans/ Brussels
Mercado Moderno/ Rio de Janeiro
Nilufar Gallery/ Milan
Ornamentum/ Hudson
Pierre Marie Giraud/ Brussels
R & Company/ New York
Robert Zehil Gallery/ Monte Carlo
Salon 94 Design/ New York
Sarah Myerscough Gallery/ London
Siegelson/ New York
Thomas Fritsch – ARTRIUM/ Paris
Todd Merrill Studio
Victor Hunt Designart Dealer/ Brussels
Curios Design Miami Basel 2017
88 Gallery/ Hong Kong & Paris
Atelier Swarovski/ London
Label Dalbin/ Paris
OV Project/ Brussels
Oscar Humphries/ London
Priveekollektie Contemporary Art | Design/ Heusden aan de Maas
Scholten & Baijings/ Amsterdam
Sokyo Gallery/ Kyoto
SUPERGUFRAM/ Barolo
Suzanne Syz/ Geneva
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terms and conditions

TERMS & CONDITIONS

TERMS & CONDITIONS thats the name of the exhibition by SYLVAIN BAUMANN in collaboration with DOUGLAS STICHBURY, SHELBY LEE STUART and CLAUDIA DI LECCE.
terms and conditions
WHERE & WHEN
Espace d’Art Contemporain LES HALLES
Porrentruy Switzerland
July 3 – August 21
Thursday 5-7pm // Saturday 10-12am and 1:30-5:30pm // Sunday 1:30-5:30pm
Free entrance
Finissage : 21.08.16, with BBQ and more!
terms and conditions
ABOUT SYLVAIN BAUMANN
Sylvain Baumann (*1981, vit à Bâle et Le Frasnois, France) mène une recherche sur ce qu’il nomme un « climat de confiance » qui trouve un terrain particulièrement propice dans la complexité et l’accélération du monde actuel. Pour mieux décortiquer les dispositifs constitutifs de ce climat, l’artiste a pour objectif de créer sa propre entreprise d’ingénierie de la confiance. L’espace d’art de Porrentruy lui sert de laboratoire pour en expérimenter les premiers éléments distinctifs et identitaires au moyen d’un vaste vocabulaire visuel. Ce faisant, il met en exergue la notion de contrat qui lie le public à l’œuvre et au lieu d’exposition. Par son installation, il parvient à poser les jalons de la réflexion sur la multitude de réseaux opaques de règles et de conditions qui contribuent à instaurer un sentiment de confiance ou, a contrario, à nous fier de plus en plus à notre intuition.

terms and conditions

TEXT AUBOUT THE EXHIBITION TERMS AND CONDITIONS (FRENCH)

“Dès son entrée dans l’exposition, le visiteur est confronté à un document contractuel. Imprimé en noir sur une stèle métallique accroché au mur, un texte définit les droits et les obligations qui lient le spectateur au lieu où il se trouve. D’emblée, l’artiste amorce une tentative de mise en confiance du public, libre d’accepter les termes du contrat ou de les refuser en quittant la pièce. Cette confiance est toutefois mise à mal par la longueur excessive du texte, comme il est d’usage pour les termes et conditions. Le contraste entre le contenu juridique de l’inscription et le support qui rappelle une stèle commémorative, symbolique ou religieuse, déroute. 
Passé cet incipit contractuel, le spectateur pénètre dans une salle d’exposition où différents éléments évoquent une agence en cours d’élaboration. Du mobilier l’invite à s’asseoir et à consulter des documents promotionnels. Trois grandes boîtes, qui rappellent des machines de banque ou des urnes électorales, présentent chacune une ouverture en forme de rond, de triangle ou de carré. A travers ces signes, à la fois primitifs et ésotériques, apparaissent les trois couleurs primaires: rouge, bleu et jaune. Des éléments décoratifs et architecturaux complètent le corporate design de l’agence comme cette série d’images réalisées par thermoformage qui reconstitue un ersatz de paysage et vient parfaire le mécanisme de mise en confiance. 
En mettant en œuvre des dispositifs participant à l’ingénierie de la confiance à partir de différents modes d’expression, documents contractuel, design industriel, graphisme, objets récupérés et photographies, Sylvain Baumann insinue le doute dans notre pensée. Il exalte la superficialité et l’absurdité de l’incitation ambiante à faire confiance au sentiment de confiance. Plus généralement, le travail artistique de Sylvain Baumann démontre qu’en établissant tout une série de limites, d’obligations, de situations exceptionnelles et de définitions des risques, on pointe paradoxalement ce qui entrave la confiance.
La réalisation de l’exposition est le fruit de collaborations avec l’artiste néo-zélandais Douglas Stichbury, l’écrivaine américaine Shelby Lee Stuart et l’historienne de l’art Claudia Di Lecce. 
A l’occasion de l’exposition paraîtra une édition intitulée : ’’Tous les jours, à tous points de vue, tout va de mieux en mieux.’’, héliogravure réalisée à l’Atelier de gravure de Moutier, édition de 10.”
terms and conditions
TERMS AND CONDITIONS PRESS RELEASE (French) and more links
http://www.eac-leshalles.ch/eac
http://www.eac-leshalles.ch/eac/index.php?page=sylvain-baumann
http://www.vitrinegallery.com/

Parc Saint Léger, NEVERS/POUGUES-LES-EAUX-F
Résidence 
http://www.parcsaintleger.fr/index2.php?cat=25
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AUDEMARS PIGUET AT ART BASEL 2016

AUDEMARS PIGUET AT ART BASEL 2016

 Audemars Piguet at ART Basel 2016
AUDEMARS PIGUET AT ART BASEL 2016
Audemars Piguet presented a new series of moving image and photographic works by Dan Holdsworth at the Audemars Piguet booth, designed by Sebastian Errazuriz, in the Collectors Lounge at Art Basel (16 – 19 June 2016).
As already mentioned, the lounge is designed by Chilean born, New York-based artist and designer Sebastian Errazuriz. The theme of the stand is based on ‘Water and Ice’. And when I asked him what was behind the idea of the design he answered:
“whats incredible, because of the snow and the ice Le Brassus for long time it has always been isolated. so for six to nearly eight months a year they were blocked out. so this notion that you are completely isolated was actually what gave them the time to develop their technology. they had nothing else to do. so this problem becomes actually something benefitial for them and for us. why not bringing back that driving force as a concept. Originally we wanted a qiant slab of ice inside this space. Audemars Piguet was interested, Art Basel was like: no way it is happening. so we started thinking how do we symbolize this idea in a more economically responsible way.”
The result of his idea is what you can see in the photos below. Sebastian created the design of the booth around the theme of ice, water and winter in the Vallée de Joux. I personally like the ice tank that you can see in the first photo the best. I can stare at it forever!
AUDEMARS PIGUET AT ART BASEL 2016
Another thing that I found out at the press conference was, that the design is inspired by one of Sebastian’s childhood memories. The memory of water dripping into a bucket and the distinct natural rhythm that this caused. Taking inspiration from the visual design codes of ice formations and the beautiful snowed winters in Le Brassus and the Vallée de Joux, the new collectors lounge features a more spacious and luminous design language that resonates with contemporary creative energy. The design reflects the clean purity of nature and the presence of time.

AUDEMARS PIGUET AT ART BASEL 2016

I really like the new Audemars Piguet booth and I could relate very much to the ideas behind the design by Sebastian Errazuriz. Above and below you can see the art deco inspired lamps that fit perfectly into the whole design of the lounge.

AUDEMARS PIGUET AT ART BASEL 2016

WHO IS SEBASTIAN ERRAZURIZ?

Artist, designer and activist Sebastian Errazuriz has received international acclaim for his original and provocative works on a variety of areas and disciplines. Tackling everything from political artworks to giant public art projects, experimental furniture to product design and women’s shoes to motorcycles, Sebastian’s work is always surprising and compelling, inviting the viewer to look again at realities that were often hidden in front of their own eyes.

in case you did not know about him you should def check his website and see his amazing design pieces. one of my favorite is the soup plate that does not need to be tilted to get the last couple of spoons of soup. another cool piece, that I like a lot, is the chop stick that has a fork on one end and can be either used as a fork or broken into chopsticks. besides these he designed really cools shoes but have a look for yourself >> http://www.meetsebastian.com

AUDEMARS PIGUET AT ART BASEL 2016 AUDEMARS PIGUET AT ART BASEL 2016

Inside the booth designed by Sebastian Errazuriz there were a very limited amount of watches in display and the beautiful art works by Dan Holdsworth. Unfortunately I did not have time to visit the gallery in ZH but I did see some of his work online and inside the collectors lounge.
ABOUT DAN HOLDSWORTH AND HIS ARTWORK

The details of a new series of photographic works by Dan Holdsworth has been premiered on the Audemars Piguet booth in the collectors lounge at Art Basel’s show in Basel. 
These photographic pieces explore the unique geological formations found in Audemars Piguet’s home, the Vallée de Joux in the Jura Mountains. By referencing the epic timescales by which these rock formations were formed, the works will invite the viewer to reimagine their relationship with time.
Holdsworth’s new moving image work will be accompanied by photographic pieces exploring the unique geological formations found in Audemars Piguet’s home at le Vallée de Joux. In parallel with the new works presented by Audemars Piguet in Basel, Holdsworth’s solo show, A Future Archeology, will open at SCHEUBLEIN + BAK, Zurich on 1 June, running until 2 September 2016. The exhibition will premiere new works from his Continuous Topography and Spatial Objects series, exploring the landscape of the Mont Blanc glacier using the same pioneering technologies to map out the fine detail of the region.

AUDEMARS PIGUET AT ART BASEL 2016

thank you Audemars Piguet for inviting me and organizing my interview with Sebastian Errazuriz. It was a pleasure to feature your booth on my blog. Llike every year it was a blast to be at Art Basel and get the chance to see so many nice things. thank you all! X
http://www.meetsebastian.com
http://www.danholdsworth.com
http://www.audemarspiguet.com
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Bonnie Maygarden

BONNIE MAYGARDEN

this years VOLTA I wanna focus very much on the works of BONNIE MAYGARDEN, a talented multimedia artist who received her MFA in Studio Arts from Tulane University and attended Pratt Institute in New York, where she received her Bachelor’s of Fine Arts.
Bonnie Maygarden
Grayscale II
when I heard that Bonnie Maygarden is going to be showing her work at the AESOP shop in BASEL and that I can write about it on the blog I felt very honored for two reasons. firstly its awesome to have the work of such a great young artist in Basel and secondly that I can interview Bonnie and ask her a bit more about the piece she is showing in Basel. so after this blogpost there will be a follow up where I can tell and show you more about the AESOP exhibition.
 Bonnie Maygarden
Pairing

MORE ABOUT BONNIE MAYGARDEN (*1987)

Bonnie Maygardens work has been featured in exhibitions both nationally and internationally in various museums, galleries and alternative venues including: Université Lumière Lyons (Lyons, France), Pratt Institute, Icosahedron Gallery (New York City), East Hall Gallery (Brooklyn), SALTWORKS (Atlanta), The Front (New Orleans) and New Orleans Creative Center for the Arts where she attended high school. several notable publications have featured Maygarden’s work; including, Gambit Weekly, NOLA DEFENDER, and INVADE NOLA. curator and art critic Tori Bush featured Maygarden’s Master’s thesis exhibition “Hyper Real” in her May 2013 artist spotlight. she also received an honorable mention for her work in UNO Visual Arts Leagues Juried Exhibition in 2013 from Miranda Lash, curator of Contemporary Art at the Speed Museum and former curator of Modern and Contemporary Art at the New Orleans Museum of Art. her work was reviewed in ArtForum and Burnaway for her inclusion in “Staring at the Sun” curated by Craig Drennan. Maygardens paintings were also featured in New American Paintings (No. 112, June/July Issue) concurrently with her premier solo exhibition at Jonathan Ferrara Gallery entitled “Desert of the Real”. she will also be featured in the forthcoming Issue No. 124. her work was selected for the Ogden Museum of Southern Art’s third annual LA Contemporary Juried Exhibition, juried by Jonathan P. Binstock of Citi Private Bank Art Advisory & Finance. she has been exhibited nationally at art fairs including: Pulse New York, Miami project for Art Basel Miami Beach, Texas Contemporary, Art Market San Francisco, and the Seattle Art Fair with an upcoming showcase at VOLTA12 Basel (Switzerland) this summer. following Volta, her work will also be featured in EXCHANGE, an international exhibition at Galerie Jochen Hempel, Berlin. also forthcoming, Maygarden has also been awarded a position at the Slade for the London Summer Intensive Residency Program 2016. her work appears in the collections of former LACMA curator and current Perez Art Museum director Franklin Sirmans (Miami), private collectors Lester Marks (Houston), Myrna Kaplan (Chicago) and Susan and Ralph Brennan (New Orleans), and corporate collections of Advantage Capital Management Corporation, RPM Casting and University Medical Center (New Orleans). Maygarden has been commissioned for Hollywood feature films by several production companies including: ABC Studios, Flashfire Productions, Danni Productions, Georgia Film Fund Seven, Abby Normal Pictures, Lamb Productions, Furlined, LLC and The Goats, LLC.
Bonnie Maygarden
Light and Air III
MAYGARDENS STATEMENT
“I create paintings without the aid of technology, yet I am interested in making works that are informed by and react to a culture defined by a digital experience. My work references familiar technology-created images, such as photography, x-rays, or Photoshop filters, yet are created only using the meticulous illusion of paint. Through referencing the digital image I am able to make paintings that walk the line between something and nothing, that both play to our expectations of the disposable contemporary image and the valued tradition of the handmade.”
Bonnie Maygarden
Surface 2016
as you just read in the text above, Maygarden is having a run. I really appreciate the color sensitivity in her artworks and am a huge fan of her patterns. the pieces that I am showing in this post have a great depth and an almost relief-like appearance. her work reminds me a lot of fabric and tissues. another impression that her artpieces leave on me is the feeling of nature and landscape, I somehow think of the swiss alps and the relief maps of them.
Bonnie MaygardenSaturation II
in case you are in Basel you should definately pass by the AESOP shop at Spalenberg 24 that is showing her art work in the window. (from now until end of VOLTA12). stay tuned for my next blogpost where I will tell you more about her works for AESOP.
Bonnie Maygarden
more about BONNIE MAYGARDEN here:

http://www.jonathanferraragallery.com/artists/bonnie-maygarden

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ART BASEL WEEK SCHEDULE

ART BASEL WEEK SCHEDULE

ART BASEL WEEK SCHEDULEArt Basel – Messeplatz
June 16-19 2016
how to get there: TRAM: 6, 2, 1/14 (stop: Messeplatz)
as you may all know, the Art Basel week is my favorite week in Basel. next to the main Art Basel show there are many other side fairs like, Design Miami Basel, VOLTA, SCOPE, LISTE, THE SOLO PROJECT, RHY ART FAIR, PHOTOBASEL, EAF and many more. at the moment I am trying to put together an agenda and share all the highlights with you.
are you familiar with the history of Art Basel?
1970
three Basel gallerists put their passion and determination behind an ambitious vision to form an international art fair. now, Art Basel stages the premier international art shows, providing platforms for galleries and artists from around the world. art gallerists Ernst Beyeler, Trudi Bruckner and Balz Hilt of Basel create an international art fair that proves to be a success from the start. more than 16,000 visitors attend the inaugural show to see 90 galleries and 30 publishers from 10 countries.
1975
only five years after its founding, the Basel show reaches its current size of almost 300 exhibitors. the participating galleries come from 21 countries, attracting 37,000 visitors.
1995
the Art Video Forum platform debuts. Pipilotti Rist and Enrique Fontanilles are the first recipients of the video art prize endowed by the main partner the swiss bank corporation.
2000
the Unlimited platform revolutionizes the classic exhibition booth by creating an open-plan environment that plays host to all types of ambitious contemporary media: installations, monumental sculptures, large-scale paintings, video works, and performance arts. first special exhibition devoted to Artist Books, an art form ordinarily accorded marginal attention at art fairs.
2004
a series of panel discussions were introduced with leading members of the art world providing exclusive access to first-hand information on collecting and exhibiting art. panelists include prominent art collectors, museum directors, biennale curators, artists, art critics, and architects. under the title of Public Art Projects, projects of an institutional scale are presented in the spacious, revamped exhibition area on Messeplatz.
2010
debut of the Parcours sector, expanding the show beyond Messeplatz, presenting site-specific public artworks and performances in the historical neighborhoods of Basel. the new Feature sector, replacing Art Premiere, offers gallerists a chance to participate in the show with historical material, solo shows by artists of all ages and precise curatorial juxtapositions.
this year I will focus on the works of Dan Holdsworth and the design of Sebastian Errazuriz for the collectors lounge booth of Audemars Piguet. stay tuned for more. X
Volta 12 BaselNacht
VOLTA12 – Markthalle
JUNE 13-18 2016
how to get there:
TRAM: 2, 6  BUS: 30 (stop: MARKTHALLE) and 8, 11, 10 (stop SBB station and walk 2 min.)
TRAIN: all trains to BASEL SBB
VOLTA12 BASEL NACHT June 16, 5-9 PM –
I am a huge fan of VOLTA and am really proud to be soon featuring one of their artists on the blog. like in previous years VOLTA12 is taking place inside the beautiful Markthalle, next to the SBB train station. in case you did not know that there will be an event on THURSDAY then have a look at my previous post and get your tickets here >>
in case you wanna share it with your friends:
the code to get your free BASEL NACHT passes is SOMETHINGNICE and you need to sign up via this link: https://www.microspec.com/tix123/eTic.cfm?code=VOLTA1216
ART BASEL WEEK SCHEDULESCOPE – WEBERGASSE 34
JUNE 14-19 2016
how to get there:
TRAM: 1/14, 6, 8, 17 (stop: CLARAPLATZ)
BUS: 34, 31, 38 (stop: CLARAPLATZ)
this years SCOPE fair is held in a new location very close to Claraplatz. I can not wait to see the new space and am curious to see this years exhibitors.
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VERNISSAGE REGIONALE 16

Flyer Kunstraum Florenz Regionale Flyer Kunstraum Florenz Regionale

VERNISSAGE regionale 16
SATURDAY  November, 28  2015, 16 Uhr.

EXHIBITION 
28. November 2015 – 9. Januar 2016
opening hours:         THU – SAT,  15-19 Uhr / SUN, 14-18 Uhr

more Infos: ateliers-florenz.ch/kunstraum

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THE BAUHAUS #itsalldesign

thats the name of the new exhibition at VITRA DESIGN MUSEUM
(26.09.2015 – 28.02.2016)

I was invited by HUGO BOSS to see the mechanical ballett before the vernissage of the new DAS BAUHAUS exhibition at Vitra Design Museum. that was really something, I have never seen anything like that and I am so happy to have had the chance to see it. during the whole play we were not able to see the dancers. they were hidden behind their geometric shapes in different colors. they moved sometimes alone sometimes together with the slow and fast music. I have found it super interesting to see the moving shapes and to see how with every move a new form and new shape was born. I was sometimes guessing how the people behind must be bending themselves in order to achieve those patterns and moves. also the whole thing had something very architectural. I sometimes saw layers of section plans or weird building shapes. thank you again for letting me see this, it was wonderful.

Das Bauhaus_Exhibition

about DAS BAUHAUS :

With the major exhibition »The Bauhaus #itsalldesign« the Vitra Design Museum presents, a comprehensive overview of design at the Bauhaus for the first time. The exhibition encompasses a multiplicity of rare, in some cases never-before-seen exhibits from the fields of design, architecture, art, film and photography. At the same time, it confronts the design of the Bauhaus with current debates and tendencies in design and with the works of contemporary designers, artists and architects. In this way, »The Bauhaus #itsalldesign« reveals the surprising present-day relevance of a legendary cultural institution. Bauhaus artists and designers featured in the exhibition include Marianne Brandt, Marcel Breuer, Lyonel Feininger, Walter Gropius, Wassily Kandinsky and many more. Contemporary participants include the works of Olaf Nicolai, Adrian Sauer, Enzo Mari, Lord Norman Foster, Opendesk, Konstantin Grcic, Hella Jongerius, Alberto Meda and Jerszy Seymour. The mission of the »Staatliches Bauhaus«, founded by Walter Gropius in Weimar in 1919, was to educate a new type of designer. Students at the Bauhaus were to acquire artisanal and artistic foundations as well as knowledge of the human psyche, the process of perception, ergonomics and technology – a profile that continues to define the occupation of the designer to this day. Yet the concept of design at the Bauhaus also gave designers a comprehensive creative mandate: they were not to merely fabricate objects of daily use, but should take an active role in the transformation of society.

about the exhibition :

The exhibition is divided into four thematic groups, beginning with a look at the historical and social context of the Bauhaus. A second section examines iconic but also lesser-known design objects from the Bauhaus, as well as the history of their origins at the junction of art, craft, technology and industry. A further area of the exhibition investigates the theme of space and demonstrates how many different designers were involved in formulating the understanding of design at the Bauhaus – including stage artists, architects with their deliberations on minimum dwellings and artists who developed colour theories and spatial models. In this regard, the Bauhaus reveals itself as likely to be the first artistic »total experiment« of the modernist period, exploring the dissemination of design in all areas of life. The last section considers the communication of the Bauhaus, from typography and exhibitions to experimental film art and photography as well as the – often systematically planned – creation of myths and clichés that continue to surround the Bauhaus to the present day. »The Bauhaus #itsalldesign« is accompanied by an over 400-page publication, which contains an extensive illustrated catalogue section as well as essays by renowned authors such as Arthur Rüegg and Patrick Rössler along with a glossary of key concepts and terms relating to design at the Bauhaus. »The Bauhaus #itsalldesign« is an exhibition of the Vitra Design Museum and the Art and Exhibition Hall of the Federal Republic of Germany (Bundeskunsthalle). Following its debut at the Vitra Design Museum, the exhibition will open at the Bundeskunsthalle in Bonn in spring 2016.

 

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Svend-Allan Sørensen via SPECTA at VOLTA11

specta

THOREAU (henry david thoreau, 1817-1862)
american philosopher, poet, political dissident, man of nature etc.

specta

TURGENEV (ivan sergeyevich turgenev, 1818-1883)
russian writer and hunter.

specta

BOGANIS (wilhelm dinesen 1845-1895)
danish officer, hunter, writer and politician. boganis was a pseudonym, which dinesen got from an american indian tribe at mole lake wisconsin in the years 1871-72.

HOW IS IT DONE
“printing, then copying and scanning digital images until a point where I felt that they possesed a certain graphic look, I wanted. the end result is then scanned at a very high resolution, printed by laser printing in an A3 size, the largest format available at the time , and later transferred to the lithographic stone by rubbing it with acetone. the back of the paper is slightly moistened with acetone, which releases the tones to get stuck on the stone, and finally it is possible to print it in the classic lithographic manner.”

SPECTA GALLERY
COPENHAGEN DENMARK

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BACKSLASH GALLERY PARIS

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BACKSLASH GALLERY PARIS

exhibited artists

Charlotte Charbonnel
Rero
Sergen Sehitoglu
Boris Tellegen
Xavier Theunis
Michael Zelehoski
Jules & Pierre
France Bizot
Fahamu Pecou
Luc Schuhmacher
Clemens Wolf

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LISTE 1997 – 2002

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LISTE02

I love the newsletter with all the previous LISTE posters. I chose a selection from 1997 to 2002 but there were so many other cool ones too. maybe I should have shared them all. well, too late now. anyway, see you there and lets see lots of nice things. X

where:
LISTE – Art Fair Basel
Burgweg 15, CH- 4058 Basel

when:
Tuesday to Saturday, June 16-20, 1 p.m. to 9 p.m.
Sunday, June 21, 1 p.m. to 6 p.m.

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ROLLS-ROYCE TO PRESENT A NEW COMMISSION BY ISAAC JULIEN

Isaac Julien

ROLLS-ROYCE TO PRESENT A NEW COMMISSION BY ISAAC JULIEN
DURING ART BASEL IN BASEL 2015

Rolls-Royce Motor Cars will present the first public showing of Isaac Julien’s new work Stones Against Diamonds during Art Basel in Basel, 2015. The work, commissioned as part of the Rolls-Royce Art Programme, will be shown at the Kirche Elisabethen, Basel, from 16-17 June 2015. Following the preview during the Venice Biennale last month, the video installation will be shown on a larger scale than previously seen, as a unique site specific installation filling the magnificent interior of the imposing church across ten screens.

Isaac Julien’s film draws inspiration from a letter written by Brazilian architect Lina Bo Bardi. Stones Against Diamonds examines themes within her letter, where she praises the beauty of natural elements over preferred precious stones. Filming the work in remote Vatnajökull region, in South East Iceland, using the breathtaking scenery of glistening ice caves as a set for the film, Julien portrays some of the most beautiful objects as the least precious in a conventional sense. The shoot took place over five days with the crew enduring sub-zero temperatures deep in the heart of spectacular glacial caves, formed in ice over thousands of years and accessible for only a few days a year due to the harsh climate. Signature elements of Bo Bardi’s work have been incorporated into Julien’s work, including a staircase, meticulously built by hand in the ice cave during the production of the film.

Stones Against Diamonds is commissioned as part of the Rolls-Royce art programme, which draws together the handcrafted elegance of the marque’s motor cars with contemporary artists around the world. It is a prelude to a larger piece that Julien is to complete in 2016, which will meditate on Bo Bardi’s creative production, and will be shot in Italy and Brazil.

about Isaac Julien
Isaac Julien is one of Britain’s most important and influential installation artists and filmmakers. Born in London in 1960, where he currently lives and works, Julien studied at St Martins’ School of Art. His work draws from and comments on a range of disciplines and practices (film, dance, photography, music, theatre, painting, and sculpture) and unites them in dramatic audiovisual film installations, photographic works, and documentary films.

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Synchronicity by Robin Meier

Synchronicity

For the inaugural Audemars Piguet Art Commission, Meier’s immersive installation will be presented at the Volkshaus, Basel. Meier’s large-scale installation will connect disparate fields by harmonising music, fireflies, bioluminescent bacteria and crickets to a common pulse.

The viewer will be invited to walk through the installation to witness all of these self-synchronising organisms and systems beating together, as if driven by a single rhythmic force. This will fill the entire exhibition space with a unique pulsating rhythm. Through the help of Audemars Piguet forming introductions to specialised laboratories and scientists, Meier has traveled the globe to research specific fireflies and insects. Through this, Meier has investigated how this order emerges from chaos and uses this scientific research as a tool to express artistic ideas within his new installation.

well that sounds really interesting and I am very much looking forward to attending the event on tuesday in basel. more info via my social media channels. stay tuned!

Synchronicity

about ROBIN MEIER
Robin Meier is a Swiss artist and composer based in Paris. His interests lie in the emergence of natural and artificial intelligence and the role of humans in a world of machines. Meier tries to make sense of these questions through musical compositions and installations. Referred to as “Artist of the future” (le Monde), “Maestro of the swarm” (Nature) or just “pathetic” (Vimeo), his works have been shown around the globe in international institutions such as Palais de Tokyo and Museum of Modern Art in Paris, SIGGRAPH in Yokohama , Nikola Lenivets in Moscow or SoundReasons in New Delhi.
http://robinmeier.net/

about AUDEMARS PIGUET ART COMISSION

The Audemars Piguet Art Commission supports artists in the creation of works of exceptional complexity, precision and experiential impact on an ongoing, annual basis. The commissioned art works are overseen by an annual guest curator and selected by an international jury. They presented to the public to coincide with Art Basel’s editions in Basel, Hong Kong, and
Miami Beach, and subsequently, where possible, at a public art institution. As part of the Commission, Audemars Piguet provides to the invited artist the necessary resources and secures access to advanced tools, craft expertise, or sophisticated technology to realize important new creative projects. http://www.audemarspiguet.com/en/art

Audemars Piguet is delighted to present behind-the-scenes footage of Synchronicity, an immersive installation by Swiss artist Robin Meier, which will be presented as the inaugural Audemars Piguet Art Commission. Meier has worked with the commission’s renowned guest curator, Marc-Olivier Wahler, and Audemars Piguet on the production of a major new artwork to be exhibited at the Volkshaus, coinciding with Art Basel in Basel, 2015. Based on the theme of “synchronicity” and the spontaneous emergence of patterns in nature, Meier’s installation explores the underlying mathematical rules of self-organisation among fireflies, computers, crickets, sounds, and electromagnetic pendulums.

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impressions



thomas visited the exhibition and the lecture of the architect DANIEL LIBESKIND. as he is an architect it was really nice to have his view on that topic. the lecture was called “my visions”. DANIEL LIBESKIND informed about the visions and ideas behind different projects and how he approaches the different fields involved. he also had a rather unconventional start into architecture as he first studied music and therefore has a different access to form and design. thomas really liked the way he talked about his ideas and visions and the fact that he also involved music in the jewish museum, one of DANIEL LIBESKIND most famous project. the exhibition showed nice objects in unconventional and complex ways meaning not always in the classy way: poster and model but were made with attention to detail and work.

«architecture is not based on concrete and steel and the elements of the soil. It’s based on wonder. and that wonder is really what has created the greatest cities, the greatest spaces that we have had.» DANIEL LIBESKIND

Werkschau architektur 0.14
MAAG Halle ZH

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MATTHEW WILLIAMSON outfit

this dress says it all – flowers, summer, silk – it has the perfect cut and it feels like if I wouldnt be wearing anything. I wore it to the Biennale opening of Khaled Malas’ excavating the sky exhibition in Venice, Italy two weeks ago.

http://ak2.polyvoreimg.com/cgi/img-set/cid/133916724/id/IgmvRWIz5BGybdu9zSGTQA/size/l.jpg

outfit

dress MATTHEW WILLIAMSON via zalando.ch
pumps KAVIAR GAUCHE for zalando collection
clutch PRESENT FROM ZAIRA
fan PRESENT FROM MY DAD

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