Category Archives: ART

OPEN ATELIER @ OSLO NIGHT 2016

Two weeks ago it was OSLO NIGHT 2016 and Cristian, Petr and Martin decided to show their work and open their atelier space for the OSLO NIGHT. They finished their work, created a flyer and started to invite people. That was the start of OPEN ATELIER @ OSLO NIGHT 2016.
OPEN ATELIER 2016
Martin, Cristian and Petr have worked in the Atelier at Oslostrasse 10 for the past three months. They showed their output at the OPEN ATELIER at OSLO NIGHT which was also their last day in that very Atelier. I am going to show you lots of photos and was able to ask some questions about their art pieces.
OPEN ATELIER 2016
Lets start with Petr. He was showing very beautiful black and white analog photographies. I asked him some questions about his work and here is what he said.
1. Photography seems to be your passion, how did it all start?

Probably it all started like any other story, the moment I took the camera in my hands. I believe I was not more than 7 or 8 years old. (By the way, I can clearly remember this first encounter with the camera 🙂 ) It was some sort of attachment to this domain, which surprisingly didn’t let me go ever since. I think it came to me very naturally or unconsciously, I never asked myself any question why do I take a photograph.  
2. What was the idea behind your work that you are showing?
The opportunity to show my work among friends luckily has been coincided with the moment, where I felt like it is time to shift from “snapshotting” to conceptually thought trough photography. Basically trying to ask myself, why do I shoot this specific thing, why do I compose the image this way, and what do I want show or what kind of questions I want to ask the observer by doing this specific photograph. At this moment for me it was more about the step rather than a result, also taking into account that it is an actual first step in shifting to the new “category” of photography, hoping that the result will come in the next steps. So I asked myself what would be the perfect first. There was always some attachment to mountains for me and the fact that I currently live in Switzerland. It felt to me like the right thing to do, to make a series of the Swiss Alps. In order to proceed with the project, as the first step I decided to examine my subject in order to see where the project can lead me and which questions I should raise by doing so. I took the step as simple as possible – black and white film 100 iso, tripod and middle format camera. I started to shoot mountains, spending almost the whole day shooting the same mountain from the same point of view, examining and researching my subject. So now I am reflecting back on it and trying to figure out the questions I should ask for my next project and how I can make a final series with a strong conceptual base behind it. The pictures that were exhibited during our OPEN ATELIER were more “work in progress” photographs or a research phase of the project. I already have some ideas about the questions I’d like to raise in my next project, but I would prefer to share it later, hopefully there will be another opportunity, with actual photographs, rather than speculate here about it.
3. Which cameras do you use for what?

For the last 6 to 7 years I have only used analog cameras and I am a strong advocate for the analog photography. I prefer to use my middle format camera Hasselblad 500 cm, due to the higher resolution of the film and also the fact that I love the square format. I think it is the most democratic format, which doesn’t give a priority in any direction of the image. However when I can’t afford to invest a lot of time in a photo shooting I use my Leica m6. I have it with me amost every day just in case I see something nice I want to capture.
OPEN ATELIER 2016OPEN ATELIER 2016     OPEN ATELIER 2016
And now let’s talk about Cristian’s work. His pieces came with a text that you can read below.
The show is a collection of drawings, sculptures and models that are all developed
along the idea of the GRID as a tool for an anthropology study. The GRID stands as a
metaphor for human society with everything that the term can incorporate: politics, culture, history, interaction with natural elements and religion. The project is in the same time a personal memory box or journal, giving me the liberty to analyse trough the means of artistic expression my own Zeitgeist. The concept is broken in four major themes the GRID vs EVOLUTION, the GRID vs HUMANITY, the GRID vs LANDSCAPE and the GRID vs IDOLS. The show is a first step in this parkour. Moving from figurative to abstract, it formalises thoughts, questions and observations with the clear intention of not drawing any conclusions.
I asked him what kind of materials he has used and his answer was: plaster, rasin, achrylic paint, foam and clay.
OPEN ATELIER 2016
GRID VS EVOLUTION

OPEN ATELIER 2016

GRID VS LANDSCAPE

OPEN ATELIER 2016
GRID VS LANDSCAPE
OPEN ATELIER 2016
GRID VS IDOL
OPEN ATELIER 2016
GRID VS LANDSCAPE
OPEN ATELIER 2016
GRID VS HUMANITY
OPEN ATELIER 2016
The OPEN ATELIER @ OSLO NIGHT was a big succes. I have already been to some OSLO NIGHTS before and I always like to check out the diploma projects of the Industrial and Fashion Design students. Like every year there is an After Party at the HEK, House of Electronic Arts.
OPEN ATELIER 2016
Last but not least, lets talk about Martin’s work. I asked Martin a couple of questions about his work that you can see below. I was amazed how well the pieces of the three worked together. It was a great way to use the space and show their work of the past three months.
OPEN ATELIER 2016
Here is what Marin told me about his work.
1. How did your passion for art start?

I spend all the hours in primary school doing drawings (mostly dinosaurs and war machines). Soon I figured out that drawing was the easiest way for me to “impress” my teachers and friends, so I guess it started there.  
2. What describes your work best?

Hmm. Today I only show my abstract work, but normally I would say that what I do is very diverse. Maybe curiosity is a good way to describe my stuff.  
3. What’s the idea/story behind the work you were showing at OPEN ATELIER?
I wanted to take my abstract work a step further. In order to do so I stacked all my old drawings and paintings on the floor to figure out what I was actually doing. It annoyed me that I could not see through everything at once and then the idea to paint on transparent materials started. After this it evolved into these transparent foils that I do myself. The idea is very basic, if there is no paint to hold the foil together it dissolves into pieces and there is nothing left at all.
OPEN ATELIER 2016
So, that was it from the OPEN ATELIER @ OSLO NIGHT 2016. I hope you were there yourself and if not, hopefully this was helpful to give you an impression of their work and workspace. I recorded a video of that event and will make a time lapse, soon to come. X

 

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terms and conditions

TERMS & CONDITIONS

TERMS & CONDITIONS thats the name of the exhibition by SYLVAIN BAUMANN in collaboration with DOUGLAS STICHBURY, SHELBY LEE STUART and CLAUDIA DI LECCE.
terms and conditions
WHERE & WHEN
Espace d’Art Contemporain LES HALLES
Porrentruy Switzerland
July 3 – August 21
Thursday 5-7pm // Saturday 10-12am and 1:30-5:30pm // Sunday 1:30-5:30pm
Free entrance
Finissage : 21.08.16, with BBQ and more!
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ABOUT SYLVAIN BAUMANN
Sylvain Baumann (*1981, vit Ă  BĂąle et Le Frasnois, France) mĂšne une recherche sur ce qu’il nomme un « climat de confiance » qui trouve un terrain particuliĂšrement propice dans la complexitĂ© et l’accĂ©lĂ©ration du monde actuel. Pour mieux dĂ©cortiquer les dispositifs constitutifs de ce climat, l’artiste a pour objectif de crĂ©er sa propre entreprise d’ingĂ©nierie de la confiance. L’espace d’art de Porrentruy lui sert de laboratoire pour en expĂ©rimenter les premiers Ă©lĂ©ments distinctifs et identitaires au moyen d’un vaste vocabulaire visuel. Ce faisant, il met en exergue la notion de contrat qui lie le public Ă  l’Ɠuvre et au lieu d’exposition. Par son installation, il parvient Ă  poser les jalons de la rĂ©flexion sur la multitude de rĂ©seaux opaques de rĂšgles et de conditions qui contribuent Ă  instaurer un sentiment de confiance ou, a contrario, Ă  nous fier de plus en plus Ă  notre intuition.

terms and conditions

TEXT AUBOUT THE EXHIBITION TERMS AND CONDITIONS (FRENCH)

“DĂšs son entrĂ©e dans l’exposition, le visiteur est confrontĂ© Ă  un document contractuel. ImprimĂ© en noir sur une stĂšle mĂ©tallique accrochĂ© au mur, un texte dĂ©finit les droits et les obligations qui lient le spectateur au lieu oĂč il se trouve. D’emblĂ©e, l’artiste amorce une tentative de mise en confiance du public, libre d’accepter les termes du contrat ou de les refuser en quittant la piĂšce. Cette confiance est toutefois mise Ă  mal par la longueur excessive du texte, comme il est d’usage pour les termes et conditions. Le contraste entre le contenu juridique de l’inscription et le support qui rappelle une stĂšle commĂ©morative, symbolique ou religieuse, dĂ©route. 
PassĂ© cet incipit contractuel, le spectateur pĂ©nĂštre dans une salle d’exposition oĂč diffĂ©rents Ă©lĂ©ments Ă©voquent une agence en cours d’Ă©laboration. Du mobilier l’invite Ă  s’asseoir et Ă  consulter des documents promotionnels. Trois grandes boĂźtes, qui rappellent des machines de banque ou des urnes Ă©lectorales, prĂ©sentent chacune une ouverture en forme de rond, de triangle ou de carrĂ©. A travers ces signes, Ă  la fois primitifs et Ă©sotĂ©riques, apparaissent les trois couleurs primaires: rouge, bleu et jaune. Des Ă©lĂ©ments dĂ©coratifs et architecturaux complĂštent le corporate design de l’agence comme cette sĂ©rie d’images rĂ©alisĂ©es par thermoformage qui reconstitue un ersatz de paysage et vient parfaire le mĂ©canisme de mise en confiance. 
En mettant en Ɠuvre des dispositifs participant Ă  l’ingĂ©nierie de la confiance Ă  partir de diffĂ©rents modes d’expression, documents contractuel, design industriel, graphisme, objets rĂ©cupĂ©rĂ©s et photographies, Sylvain Baumann insinue le doute dans notre pensĂ©e. Il exalte la superficialitĂ© et l’absurditĂ© de l’incitation ambiante Ă  faire confiance au sentiment de confiance. Plus gĂ©nĂ©ralement, le travail artistique de Sylvain Baumann dĂ©montre qu’en Ă©tablissant tout une sĂ©rie de limites, d’obligations, de situations exceptionnelles et de dĂ©finitions des risques, on pointe paradoxalement ce qui entrave la confiance.
La rĂ©alisation de l’exposition est le fruit de collaborations avec l’artiste nĂ©o-zĂ©landais Douglas Stichbury, l’Ă©crivaine amĂ©ricaine Shelby Lee Stuart et l’historienne de l’art Claudia Di Lecce. 
A l’occasion de l’exposition paraĂźtra une Ă©dition intitulĂ©e : ’’Tous les jours, Ă  tous points de vue, tout va de mieux en mieux.’’, hĂ©liogravure rĂ©alisĂ©e Ă  l’Atelier de gravure de Moutier, Ă©dition de 10.”
terms and conditions
TERMS AND CONDITIONS PRESS RELEASE (French) and more links
http://www.eac-leshalles.ch/eac
http://www.eac-leshalles.ch/eac/index.php?page=sylvain-baumann
http://www.vitrinegallery.com/‹‹Parc Saint LĂ©ger, NEVERS/POUGUES-LES-EAUX-F‹RĂ©sidence ‹http://www.parcsaintleger.fr/index2.php?cat=25
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AUDEMARS PIGUET AT ART BASEL 2016

AUDEMARS PIGUET AT ART BASEL 2016

 Audemars Piguet at ART Basel 2016
AUDEMARS PIGUET AT ART BASEL 2016
Audemars Piguet presented a new series of moving image and photographic works by Dan Holdsworth at the Audemars Piguet booth, designed by Sebastian Errazuriz, in the Collectors Lounge at Art Basel (16 – 19 June 2016).
As already mentioned, the lounge is designed by Chilean born, New York-based artist and designer Sebastian Errazuriz. The theme of the stand is based on ‘Water and Ice’. And when I asked him what was behind the idea of the design he answered:
“whats incredible, because of the snow and the ice Le Brassus for long time it has always been isolated. so for six to nearly eight months a year they were blocked out. so this notion that you are completely isolated was actually what gave them the time to develop their technology. they had nothing else to do. so this problem becomes actually something benefitial for them and for us. why not bringing back that driving force as a concept. Originally we wanted a qiant slab of ice inside this space. Audemars Piguet was interested, Art Basel was like: no way it is happening. so we started thinking how do we symbolize this idea in a more economically responsible way.”
The result of his idea is what you can see in the photos below. Sebastian created the design of the booth around the theme of ice, water and winter in the Vallée de Joux. I personally like the ice tank that you can see in the first photo the best. I can stare at it forever!
AUDEMARS PIGUET AT ART BASEL 2016
Another thing that I found out at the press conference was, that the design is inspired by one of Sebastian’s childhood memories. The memory of water dripping into a bucket and the distinct natural rhythm that this caused. Taking inspiration from the visual design codes of ice formations and the beautiful snowed winters in Le Brassus and the VallĂ©e de Joux, the new collectors lounge features a more spacious and luminous design language that resonates with contemporary creative energy. The design reflects the clean purity of nature and the presence of time.

AUDEMARS PIGUET AT ART BASEL 2016

I really like the new Audemars Piguet booth and I could relate very much to the ideas behind the design by Sebastian Errazuriz. Above and below you can see the art deco inspired lamps that fit perfectly into the whole design of the lounge.

AUDEMARS PIGUET AT ART BASEL 2016

WHO IS SEBASTIAN ERRAZURIZ?

Artist, designer and activist Sebastian Errazuriz has received international acclaim for his original and provocative works on a variety of areas and disciplines. Tackling everything from political artworks to giant public art projects, experimental furniture to product design and women’s shoes to motorcycles, Sebastian’s work is always surprising and compelling, inviting the viewer to look again at realities that were often hidden in front of their own eyes.

in case you did not know about him you should def check his website and see his amazing design pieces. one of my favorite is the soup plate that does not need to be tilted to get the last couple of spoons of soup. another cool piece, that I like a lot, is the chop stick that has a fork on one end and can be either used as a fork or broken into chopsticks. besides these he designed really cools shoes but have a look for yourself >> http://www.meetsebastian.com

AUDEMARS PIGUET AT ART BASEL 2016 AUDEMARS PIGUET AT ART BASEL 2016

Inside the booth designed by Sebastian Errazuriz there were a very limited amount of watches in display and the beautiful art works by Dan Holdsworth. Unfortunately I did not have time to visit the gallery in ZH but I did see some of his work online and inside the collectors lounge.
ABOUT DAN HOLDSWORTH AND HIS ARTWORK

The details of a new series of photographic works by Dan Holdsworth has been premiered on the Audemars Piguet booth in the collectors lounge at Art Basel’s show in Basel. ‹These photographic pieces explore the unique geological formations found in Audemars Piguet’s home, the VallĂ©e de Joux in the Jura Mountains. By referencing the epic timescales by which these rock formations were formed, the works will invite the viewer to reimagine their relationship with time.

Holdsworth’s new moving image work will be accompanied by photographic pieces exploring the unique geological formations found in Audemars Piguet’s home at le VallĂ©e de Joux. In parallel with the new works presented by Audemars Piguet in Basel, Holdsworth’s solo show, A Future Archeology, will open at SCHEUBLEIN + BAK, Zurich on 1 June, running until 2 September 2016. The exhibition will premiere new works from his Continuous Topography and Spatial Objects series, exploring the landscape of the Mont Blanc glacier using the same pioneering technologies to map out the fine detail of the region.

AUDEMARS PIGUET AT ART BASEL 2016

thank you Audemars Piguet for inviting me and organizing my interview with Sebastian Errazuriz. It was a pleasure to feature your booth on my blog. Llike every year it was a blast to be at Art Basel and get the chance to see so many nice things. thank you all! X

http://www.meetsebastian.com
http://www.danholdsworth.com
http://www.audemarspiguet.com

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Adam and Eve

ADAM and EVE

 yesterday at the preview day at VOLTA12 I met Anca and Cristina from Anca Poterasu gallery and I fell in love with Zoltan Bela’s work ADAM and EVE. I am fascinated by the faces that he cut out of an ordinary object and how young and old versus new and used is shown in this work. I really like the fact that they can not be seperated. the pieces are only sold together, Adam only comes with Eve and vice versa.
Adam and EveAdam and Eve
Adam and Eve
Zoltán Béla (b. 1977) is a widely-known contemporary artist, especially through his paintings. He graduated from the University of Arts and Design in Cluj, and he presently lives and works in Bucharest. Zoltán Béla is mid-through his career in painting, installations and object-making, which are imbued in historical and metaphysical references inspired by his personal biography and from the recent historical timeline of Eastern Europe.
Zoltán’s most recent work returns to his first love Antoni Tapies, in his latest experiments in object-making, with a focus on the materiality of details in painting, where the figurative taunts the abstract without ever fully giving in to it.
Selected Solo Shows: L’Espace Ventriloque (2016), Anca PoterasÌŠu Gallery (RO); Participare în programul “Arta la fereastră” (2016), as guest artist at Simeza Gallery (RO); Installation (2014 – 2015), Anexa The National Museum of Contemporary Art (RO); Traces (2012), Anca PoterasÌŠu Gallery (RO) ; In meditation: Feeling the Silence (2011), Anca PoterasÌŠu Gallery (RO), A certain time, a certain place, a certain state (2010), Little Yellow Studio (RO); Self Reflecting 30 (2009), Point Contemporary Gallery; Transition Icons(2009), Carini & Donatini Gallery (IT).
Selected group shows: Extension.RO (2016), Triumph Gallery, Moscow (RU); Vom Allmächtigen zum Leibhaftigen (2016), curator: Tom Beege, Kunsthaus Apolda Avantgarde, Apolda/Thuringia (DE); BB6 (Bienala Bucharest 6), 2014, (RO); Curators Network (2012), Muzeul Bruckenthal (RO); The New Figurative (2011), Victoria Art Centre (RO); Coloring the Grey (2011), The 4th Moscow Biennale of Contemporary Art (RU); I Am a Romanian: The Bucharest – Tel Aviv Route (2011), The Romanian Cultural Institute in Tel Aviv (IL); Out Of Sacred (2010), Arezz (IT); Police the Police(2010), The fourth biennial for young artists (RO); The Berlin Wall (2010), Promenade Gallery, Vlore (AL).
www.ancapoterasu.com
56 Plantelor Street, Bucharest, Romania
+40744 342 944
VOLTA12 booth A3
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Bonnie Maygarden

MORE ABOUT BONNIE MAYGARDEN

as I have already told you before this years VOLTA I am going to focus on Bonnie Maygarden and her works. yesterday it was the Preview Day of VOLTA12 at Markthalle and I got to visit Bonnie Maygarden ‘s gallery where she also had some of her work on display in addition to her sticker works for AESOP in the city center. I had the chance to ask Bonnie some questions and am very happy to share everything with you.
more about Bonnie Maygarden
1. What was the idea behind the artwork for AESOP?    
“I knew I wanted to create something that is conceptually in line with my current work, but would also work to draw people to the VOLTA Art Fair and the AESOP Store. In early discussions of the project what felt most interesting was creating an installation of paintings on the storefront rather than the typical digitally printed reproductions of artworks. I painted directly onto adhesive vinyl using the same process I use to create my works on canvas and paper.
I am fascinated by the role of painting in the digital age, and the way this project unexpectedly uses paintings to replace something that would usually be created digitally is conceptually consistent with with my current work. The works themselves are also meant to reference digital imagery with the use of bright colors, gradients, floating geometric shapes, trompe l’oeil, and photorealism. Playing with traditional modes of painting in a language that visually references technology allows me to explore what our expectations of contemporary images are in a digital world.”
2. How do you approach your art, meaning where do you get your inspiration from?
“I think, like many painters, that I’m inspired equally by the past and the present, and, like many painters, I am essentially making paintings about painting. I am inspired by movements in art history such as Minimalism, Photorealism, and Op Art, as well as how the visual narrative of painting has generally evolved over time. I am also interested in processes and imagery that feel seamless to our current digitally dependent culture, and I mimic elements of those aesthetics using painting.  I look at stock photography, advertisements, graffiti, photoshop filters, and the digital screen as inspiration for my work.”
more about Bonnie Maygarden
3. Do you like the AESOP products, and if so which one is your favorite?
(my favorite one is their hair and scalp rose masque.)
“I love the Fabulous Face Oil and Parsley Seed Facial Cleansing Oil.  A couple of years ago I discovered how amazing oils are as cleansers and moisturizers, these two really are fabulous!”
Bonnie Maygarden s AESOP favorites
4. Would you be interested to put your artworks on fabric and combine your art with fashion?
“Absolutely, if the right situation came along. The theme of the trompe l’oeil crumpled surfaces that runs throughout my work is meant to hit on a history of drapery in painting as well as natural phenomena of light and color.  A the same time it is also something that people want to somehow interact with. People always want to touch the paintings to understand them. The playfulness of something that is a flat pattern but looks three-dimensional is something I could certainly see being exciting to wear.”
5. Do you have a favorite fashion designer?
“I absolutely love CĂ©line, Stella McCartney, and Alexander Wang. I am always looking to innovation in fashion and design for artistic inspiration. However, I tend to dress much more subdued than my work, lots of black and white- I leave color for paintings!”
read my previous blogpost about Bonnie Maygarden:
www.isawsomethingnice.ch/bonnie-maygarden
Bonnie Maygarden
thank you so much Bonnie for answering all my questions, too bad we could not meet in person but I am looking forward to seeing you in the US or another year in Basel.
in case you are in Basel you should come by at VOLTA12 BASEL NACHT and get your free ticket here https://www.microspec.com/tix123/eTic.cfm?code=VOLTA1216 by entering the code: SOMETHINGNICE – see you on Thursday June, 16, 2016 at 5 PM at Markthalle. X
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Bonnie Maygarden

BONNIE MAYGARDEN

this years VOLTA I wanna focus very much on the works of BONNIE MAYGARDEN, a talented multimedia artist who received her MFA in Studio Arts from Tulane University and attended Pratt Institute in New York, where she received her Bachelor’s of Fine Arts.
Bonnie Maygarden
Grayscale II
when I heard that Bonnie Maygarden is going to be showing her work at the AESOP shop in BASEL and that I can write about it on the blog I felt very honored for two reasons. firstly its awesome to have the work of such a great young artist in Basel and secondly that I can interview Bonnie and ask her a bit more about the piece she is showing in Basel. so after this blogpost there will be a follow up where I can tell and show you more about the AESOP exhibition.
 Bonnie Maygarden
Pairing

MORE ABOUT BONNIE MAYGARDEN (*1987)

Bonnie Maygardens work has been featured in exhibitions both nationally and internationally in various museums, galleries and alternative venues including: UniversitĂ© LumiĂšre Lyons (Lyons, France), Pratt Institute, Icosahedron Gallery (New York City), East Hall Gallery (Brooklyn), SALTWORKS (Atlanta), The Front (New Orleans) and New Orleans Creative Center for the Arts where she attended high school. several notable publications have featured Maygarden’s work; including, Gambit Weekly, NOLA DEFENDER, and INVADE NOLA. curator and art critic Tori Bush featured Maygarden’s Master’s thesis exhibition “Hyper Real” in her May 2013 artist spotlight. she also received an honorable mention for her work in UNO Visual Arts Leagues Juried Exhibition in 2013 from Miranda Lash, curator of Contemporary Art at the Speed Museum and former curator of Modern and Contemporary Art at the New Orleans Museum of Art. her work was reviewed in ArtForum and Burnaway for her inclusion in “Staring at the Sun” curated by Craig Drennan. Maygardens paintings were also featured in New American Paintings (No. 112, June/July Issue) concurrently with her premier solo exhibition at Jonathan Ferrara Gallery entitled “Desert of the Real”. she will also be featured in the forthcoming Issue No. 124. her work was selected for the Ogden Museum of Southern Art’s third annual LA Contemporary Juried Exhibition, juried by Jonathan P. Binstock of Citi Private Bank Art Advisory & Finance. she has been exhibited nationally at art fairs including: Pulse New York, Miami project for Art Basel Miami Beach, Texas Contemporary, Art Market San Francisco, and the Seattle Art Fair with an upcoming showcase at VOLTA12 Basel (Switzerland) this summer. following Volta, her work will also be featured in EXCHANGE, an international exhibition at Galerie Jochen Hempel, Berlin. also forthcoming, Maygarden has also been awarded a position at the Slade for the London Summer Intensive Residency Program 2016. her work appears in the collections of former LACMA curator and current Perez Art Museum director Franklin Sirmans (Miami), private collectors Lester Marks (Houston), Myrna Kaplan (Chicago) and Susan and Ralph Brennan (New Orleans), and corporate collections of Advantage Capital Management Corporation, RPM Casting and University Medical Center (New Orleans). Maygarden has been commissioned for Hollywood feature films by several production companies including: ABC Studios, Flashfire Productions, Danni Productions, Georgia Film Fund Seven, Abby Normal Pictures, Lamb Productions, Furlined, LLC and The Goats, LLC.
Bonnie Maygarden
Light and Air III
MAYGARDENS STATEMENT
“I create paintings without the aid of technology, yet I am interested in making works that are informed by and react to a culture defined by a digital experience. My work references familiar technology-created images, such as photography, x-rays, or Photoshop filters, yet are created only using the meticulous illusion of paint. Through referencing the digital image I am able to make paintings that walk the line between something and nothing, that both play to our expectations of the disposable contemporary image and the valued tradition of the handmade.”
Bonnie Maygarden
Surface 2016
as you just read in the text above, Maygarden is having a run. I really appreciate the color sensitivity in her artworks and am a huge fan of her patterns. the pieces that I am showing in this post have a great depth and an almost relief-like appearance. her work reminds me a lot of fabric and tissues. another impression that her artpieces leave on me is the feeling of nature and landscape, I somehow think of the swiss alps and the relief maps of them.
Bonnie MaygardenSaturation II
in case you are in Basel you should definately pass by the AESOP shop at Spalenberg 24 that is showing her art work in the window. (from now until end of VOLTA12). stay tuned for my next blogpost where I will tell you more about her works for AESOP.
Bonnie Maygarden
more about BONNIE MAYGARDEN here:

http://www.jonathanferraragallery.com/artists/bonnie-maygarden

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GOLDEN IDOL

hi all, today I want to present to you Cristians tiny art piece, part of a series, that is called idols. he started recently to work with clay, a material he did not use before. he somehow felt the need to create this type of prehistorical figures, in his perspective almost archetypes of human representation. he is interested in re-evaluating through the use of a very ancient material, contemporary ways of expressing very basic human feelings, questions and symbols.

GOLDEN IDOL

golden idol

golden idol

golden idol

golden idol

I hope you guys liked it. until next time I keep my eyes on something nice! have a lovely day! X

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SPENCER BROWNSTONE GALLERY

VOLTA11 VOLTA11 VOLTA11

SPENCER BROWNSTONE GALLERY new york
www.spencerbrownstonegallery.com

FRED EERDEKENS (*1950 Hasselt, BE)
he is perhaps most well known for his shadow text work in copper and aluminum. these quiet and poetic installations combine a viruosic use of materials with simplicity that both subverts and elevates language. beyond just the simple metal phrases and sentences, Eerdekends has worked with such diverse mundane materials as discarded clothing and artificial trees, transformed by the simple application of light. by utilizing the physical nature of his medium, he creates art that blurs the line between reality and perception. his installations have been shown extensively at museums and galleries worldwide, and is featured in major collections such as MUHKA Antwerp / SMAK Brussels / Museo d’Arte Moderno Bolzano and FRAC Languedoc-Rousillon, among others. as well, he has completed a number of large, site specific installations, for important public and private spaces.

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SLAG

SLAG SLAG SLAG SLAG SLAG

about BEN GODWARD

Ben Godward was born in Indianapolis, grew up in St. Louis, MO and received his B.F.A. at Alfred University and an M.F.A. in Sculpture from the University at Albany where he won the 2007 Outstanding Achievement in Contemporary Sculpture award. After Albany, Godward moved his studio to Brooklyn, where he currently lives. He has shown extensively in NYC including at Sardine, Fortress to Solitude Lesley Heller, Moti Hassan, The Laundromat Gallery, Pocket Utopia, Centotto, Famous Accountants Gallery, Way Out Gallery, NYCAMS, Norte Maar, Storefront Gallery and Factory Fresh among others. Ben has also completed large outdoor public art projects, in 2010 at Franconia Sculpture Park in MN and in 2011 at Socrates Sculpture Park in Queens, NY. Ben’s work has been featured in The L Magazine, The Brooklyn Rail, Sculpture magazine and on WNYC Radio. www.slaggallery.com

“The conscious mind may be compared to a fountain playing in the sun and falling back into the great subterranean pool of subconscious from which it rises.” – Sigmund Freud

 

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MITSO KIM at VOLTA11

I absolutely love his works and I adore the way he made them. silk screen print on wax that later will be heated and cause the change of the lines and patterns.

about MITSO KIM

1987 Born in Osaka, Japan
2010 B.A. Department of Information Design of Kyoto University of Art and Design
2012 M.A. Post graduate course of Kyoto City University of Arts

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Jorge Mendez Blake

Jorge Mendez Blake Jorge Mendez Blake

ABOUT JORGE MENDEZ BLAKE
Born  in  1974  in  Guadalajara,  México.
Lives  and  works  in  Guadalajara.

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